Showing posts with label Dystopian. Show all posts
Showing posts with label Dystopian. Show all posts

Tuesday, February 22, 2011

Book of the Week: THE GIVER by Lois Lowry

http://www.amazon.com/gp/product/0440237688/ref=as_li_tf_tl?ie=UTF8&camp=211189&creative=373489&creativeASIN=0440237688&link_code=as3&tag=midgranin-20
I’m so excited, Esteemed Reader (and I just can’t hide it). This week marks the first of two very big surprises at this blog. As I’ve said before and often, I’m thrilled every time a writer agrees to appear here. I feel the same way about the literary agents we’ve interviewed, as they are a writer’s ambassador to Quan. I couldn’t be happier with the success of all of these interviews and I think there’s something really very neat about having so many diverse writers answer the same 7 Questions. I feel I’ve learned a lot from these interviews and I hope you feel that way too, Esteemed Reader. Sometimes when I’m feeling blue about the writing business, I come back to my own blog and read these writer interviews and they inspire me to keep going.

In fact, the person who benefits most from all this blogging is me. I’ve been doing this for exactly one year this week and I feel I’ve learned more from reading and reviewing one middle grade novel a week than I did in four years in a creative writing program at Indiana University. I want to offer my most profound gratitude to every writer and every literary agent who has made time for us. This blog wouldn’t be what it is without them and we’ve had some incredible opportunities to talk with writers I never dreamed would be possible or I would have started blogging years ago.

So how shall we celebrate one year of our ninja training? How about with a classic middle grade book such as The Giver, one of my most favorite books? Oh, and by the way, this Thursday, mark it on your calendar, one of my childhood heroes, Lois Lowry will be here to face the 7 Questions. No, that’s not a typo, Esteemed Reader. You read correctly. Two time Newbery winner and one of the writers who first inspired me to pick up a pen, Lois Lowry is going to appear at this blog. How’s that for an anniversary celebration?

And that’s not all! Next week, another of my most favorite writers from my childhood and author of several classic middle grade novels will be here as well. Who is it? I’m not going to say as that would spoil the surprise, but I got word from her within the same 24 hours as Lois Lowry and my heart nearly exploded with happiness. I’ve found the only fair way to post interviews at this blog is in the order I receive them, so she will have to wait until next week, but make sure you’re here as you won’t want to miss this!

According to the back cover, The Giver is a Boston-Globe-Horn Book Honor Book, an American Library Association Best Book for Young Adults, an American Library Association Notable Book for Children, a winner of the Regina Medal, a Booklist Editors Choice, a School Library Journal Best Book of the Year, and it won the John Newbery Award. With all of that, do you really need me to tell you that The Giver is a really good book? Probably not, but I’m going to anyway. The Giver is a really good book and one of my all time favorites. If you haven’t read it, stop what you’re doing and read it now.

The focus of The Giver is the people living in The Community, a perfect society. There are echoes of Brave New World and 1984, but The Giver is only a dystopian novel depending on how you look at it. The Community is a utopia. It’s perhaps a little rough around the edges, true, but it’s a mostly perfect place and it has to be, or the main thesis of the novel would fall short. I’m getting a bit ahead of myself, but just remember that for this book to work, life in The Community has to be a life worth considering or there is no dilemma for our characters or the reader.

Imagine no possessions, I wonder if you can. No need for greed or hunger, a brotherhood of man. Imagine all the people sharing all the world… You may say Lois Lowry is a dreamer, but this is the world of The Community. There is almost no pain, no sickness, no poverty, no religion, no racism, no one is left wanting for anything (and what they might want, they’ve never known), and almost no one is ever lonely. I know what you’re thinking, Esteemed reader: What’s the catch? Well there is one and we’ll get to it, but first consider life in The Community.

The people of The Community are healthy because for the first year of their life they are in the care of nurturers, who ensure every baby is the perfect weight and well taken care of by experienced professionals. There are no unwanted children in The Community and that right there is something to consider. Every child growing up in The Community is given everything they’ll ever need and cared for all the way into their old age.

True, the members of The Community do have to give up some things, but that’s not all bad either. At twelve years of age, a committee decides a person’s occupation and they go into training and there they’ll work for the rest of their lives, so job stability is never an issue. If a person requests one, a mate will be assigned to them. A mate carefully chosen by committee to ensure they are a perfect match for their spouse and later the couple can apply for two children, a girl and a boy. When the children have grown, they’ll live with their friends, Mom and Dad will live with their friends, and no one is lonely or rejected.

Again, I know what you’re thinking: how could anyone live with all of their decisions made by others and no freedom? Well, if I may play devil’s advocate, I might ask “what’s so great about freedom?” And temporarily suspend your patriotic programming as an American and really consider it. I’m fortunate that God put the perfect woman on earth just for me and I found her and married her, but Lord knows I found a few who weren’t her beforehand. There were others I could have married that might just have wrecked my life and made wretched my destiny. There was no committee to help me out and I might just have made the wrong choice. Anybody reading ever know anyone who made the wrong choice in a mate?

And what about career choice? Sure, I’ve found the perfect job for me and I couldn’t be happier now, but I spent a lot of years in wrong jobs I chose. And what about the folks we all know who just plain make the wrong choices all around? Their wrong choices don’t affect just them, we all suffer. A person making the choice to lose themselves in drugs or other indulgences may claim it’s only themselves they are hurting, but this is a lie as transparent as Charlie Sheen’s recent claim that he is only going to smoke crack socially (a funnier line than anything on his show).

My favorite thing about The Community is how they treat their old. When folks in The Community get old, they are moved to The House for the Old where they are cared for like the children. They never experience dementia or other horrifying sickness. No one is kept in a hospital bed for years suffering alone. When it’s time, the old person is surrounded by their friends and their life is celebrated. They tell the story of the person’s life and then he or she says one last goodbye and is “released into Elseworld.” Is that a euphemism that means what you think it means? There are no spoilers on this blog, but even if it does mean that, is that really so bad? I can think of much worse ways to go.

So what’s the catch, already? I know it’s our anniversary and all, but this review is running a little long. The catch is that The Community has no memory, no passion, and no sense of its past. They have no hate, but they also have no love. There’s a wonderful freedom in this as well, but is it worth it? I’m not going to tell you and one of my most favorite things about The Giver is that Lois Lowry doesn’t tell you either. The best books provoke the reader’s imagination and leave readers to ponder these questions for themselves and draw their own conclusions. Lowry implies some things, perhaps, but for the most part she is simply asking the question.

Nor is there a lot of explanation about the scientific workings that make The Community possible. Lowry wrote two sequels and I recommend them both and you can check them out if you want more details, but the details are sort of beside the point. There probably isn’t a one hundred percent plausible explanation for everything, but so what? Lowry wisely leaves much of these details to the imagination. For example, genetic engineering is never mentioned, but it’s certainly implied. And whether The Community is achieved through science, recovered UFO technology, or the wave of a wand, it makes little difference and a lesser writer going on and on about the explanation would be a waste of our time. We know The Community isn’t possible, but Lowry need only provide a few details to provoke us to consider the implications of such a world if it were possible. And The Community is very real for the characters in this story, which is what ultimately matters.

Instead, Lowry focuses on the story. When our hero, Jonas, turns twelve he is selected for the most unusual occupation of Receiver. Only one is picked every so many generations and no one really knows what he or she does, only that they need the Receiver and that it is the most important position in The Community. As Receiver, Jonas is separated from the rest of The Community. He is allowed to lie, something no one else is allowed to do, although how can he really know? He is also allowed to ask anyone anything and he is the only person who will know all that there is to know about The Community.

Jonas is sent to the old Receiver, who becomes The Giver, and what he’s giving are memories. I’ve said that The Community has no memory or sense of past. This is because the Receiver holds the memories for them in his head and when he grows old he transmits them to the new Receiver. The Giver transmits memories such as snow and sunburn to Jonas, which he has never experienced living in the climate controlled world of The Community. The Giver also transmits memories of war, poverty, suffering, disease, and all the rest of it to Jonas. But also colors and love, neither of which the people of The Community have ever known because they're colorblind (literally).

In order to achieve Utopia, these people have given up everything that might create passion in their lives, even music and, gasp, choke, books. What the heck would I blog about in such a world? This is the most weighty of concerns, I know:) I wondered if the people of The Community ever engaged in, ahem, adult relationships. As this is a book for younger readers, I didn’t think Lowry would cover it, but she does. After Jonas has an inappropriate dream about his sister and a bath (not his biological sister), his mother tells him he must take a pill each day to remove such “stirrings”.

I guess I sort of read over that part as a kid and didn’t catch it until now. But in our world we have Viagra, and in Lowry’s world there are pills that do the exact opposite. I won’t spend a lot of time on this, but I would imagine you adult readers enjoy the capacity to have such relationships. On the other hand, that same capacity has brought about plenty of suffering, so I ask again: Is The Community really that bad?

True, there is no color, no music, no art, no… um, kissing, no passion of any kind, and no books. We who love books might balk at the prospect, but that’s because we know about them. The people in The Community have never had these things and don’t know what they’re missing. Most of them don’t even know about death, and just think how much stress would be relieved if you didn’t know you were going to die one day (spoiler, I know).

But now Jonas does know and the question is what’s he going to do now that he knows? Could it be that something traumatic has happened to The Giver that will make this giving and receiving of memories different than any such giving and receiving that has come in generations past? Of course it could, or this novel will be episodic and there would be no story worth telling that makes this time in The Community’s history more notable than any of the others Lowry could have chosen. But I have promised no spoilers and even though a few probably slipped through, here we’ll leave it.

I haven’t touched much on craft and I’m afraid I’m not going to this week. Lowry does everything right from start to finish. Like a work of Mozart, the misplacing of a single note could mean diminishment, but Lowry absolutely nails every aspect of craft and delivers what may just be a perfect book. Her prose is clear and crisp and never a distraction. In fact, I was so completely drawn into the story upon reading this book, I forgot to take that many notes even though I already knew the ending. The Giver sucks its reader in and I read the whole thing in a single sitting because it became physically impossible for me to put the book down.

Fair warning: there are some extremely disturbing scenes in the later part of the book that would make Stephen King say, “Dude, that’s messed up!” I’m not going to spoil them either. Still, sensitive readers should be aware that you may be most unpleasantly shocked. But remember, it’s good to be shocked every so often.

Be sure to be here on Thursday when none other than Lois Lowry will be here to face the 7 Questions and check back on Saturday as God willing, we’ll have a literary agent here on Saturday as well. By the way, I mentioned God several times in this review, but I also listed “no religion” as a quality of utopia. That is sort of perplexing, isn’t it? I never do quite reveal my full thoughts on religion or even most political issues do I? Thanks for a great year of giving and receiving on this blog everybody:)

And now, because I see I have not included a single passage from the text in this entire longwinded review, I’ll leave you with some of my favorite bits from The Giver:

It was almost December, and Jonas was beginning to be frightened. (a great opening line if I ever read one--MGN)

But her father had already gone to the shelf and taken down the stuffed elephant which was kept there. Many of the comfort objects, like Lily's, were soft, stuffed, imaginary creatures. Jonas's had been called a bear.


"There's administrative work, and the dietary rules, and punishment for disobedience--did you know that they use a discipline wand on the Old, the same as for small children?"


“Definitely not safe,” Jonas said with certainty. “What if they were allowed to choose their own mate? And chose wrong?
“Or what if,” he went on, almost laughing at the absurdity, “they chose their own jobs?
“Frightening, isn’t it?” The Giver said.
Jonas chuckled. “Very frightening. I can’t even imagine it. We really have to protect people from wrong choices.”


“It’s bye-bye to you, Gabe, in the morning,” Father had said, in his sweet, sing-song voice. (really only effective if read in context, but if you’ve read the book, you know the impact of this line –MGN)

After countless tries, the net yielded two flopping silvery fish. Methodically, Jonas hacked them to pieces with a sharp rock and fed the raw shreds to himself and to… (spoiler — MGN).







STANDARD DISCLAIMER: Book of the Week is simply the best book I happened to read in a given week. There are likely other books as good or better that I just didn’t happen to read that week. Also, all reviews here will be written to highlight a book’s positive qualities. It is my policy that if I don’t have something nice to say online, I won’t say anything at all (usually). I’ll leave you to discover the negative qualities of each week’s book on your own.


Tuesday, August 24, 2010

Book Review: A CRACK IN THE SKY by Mark Peter Hughes

Greetings, Esteemed Reader! Happy Mockingjay day. Rest assured I have my copy and as you're reading this review I am likely enjoying the final Katniss adventure on audiobook. I don’t anticipate reviewing the books here, but I’ve loved The Hunger Games trilogy as much as anyone. I was Team Gale, but I’ve come around on Team Peeta, and so long as the evil government pays for all, I’ll be happy with the ending.

It must be hard to be any other book aimed at younger readers coming out just now, which is why I want to do my part to promote another dystopian Science Fiction novel that also releases today. This week’s book is A Crack in the Sky by Mark Peter Hughes. I’m not sure if it’s upper middle grade, or actually tween, or perhaps even YA. Its protagonist is a thirteen-year-old boy, but its page count is 397 and many of the themes are aimed at older readers who have been reading the increasingly bad news over the last decade. Either way, adult, teen, or younger reader, if you find time to read two books this week, I recommend this one and Mark Peter Hughes will be dropping by to face the 7 Questions on Thursday.

A quick side note, Mrs. Ninja and I saw The Other Guys this weekend. It's a very funny movie in the vein of Anchorman, but the reason I bring it up is because its plot revolves around the rich robbing the poor. Amazingly enough, the end credits of the film consist of statistics about the growing gap between the super rich and everyone else. You know things are far gone when even Will Ferrell movies devote their running time to protesting our current economic model.

 A Crack in the Sky is an angry book, so much so that I don’t think Mark Peter Hughes will mind me taking up so much of this review with a discussion of economic injustice. Or perhaps I’ll recieve an angry email from him:)

Either way, I wanted to take a moment to establish what I see as a clear link between populace rage and the rise in popularity of the dystopian novel. A reader who spends their day inundated with news stories of financial scams, corrupt political officials, and oil spills, and who has either lost their job, knows someone who has, or is otherwise feeling the pinch of the recession, a reader who lives in America right now and isn’t part of the top 1% is more likely to relate to a story in which children are forced to murder one another in competition by a government who controls all of their nation’s prosperity and diverts it to the few at the top.

But that's The Hunger Games again. Without further delay, let us discuss the plot of A Crack in the Sky and see if you can’t pick up on our current political and economic model seeping into the tale of a future society that has otherwise never existed:

Thirteen-year-old Eli Papadopoulos lives in a futuristic dome city. I don’t want to give everything away, but in the future the environment is so bad that humans can’t live outside, so we all gather in domes. Citizens of the domes are assured this is not a permanent situation. They are waiting for the Cooldown at which point they can go back outside, though there are those who believe the Cooldown may be a myth.

At the heart of all things is Infinicorp, the major corporation responsible for all aspects of life in the dome cities. Their slogan is “Don’t worry. Infinicorp is taking care of everything,” and as you might expect, the slogan takes on deeper meaning as the story progresses.

Infinicorp manufactures and sells all products and own everything and everyone. At age thirteen, citizens of the dome cities officially become employees of Infinicorp and they work out their lives in service to the corporation. Not our Eli, though. He’s being groomed for upper management. His grandfather founded Infinicorp and his family runs things. It is fascinating to read the parallels Hughes draws between kingdoms of old and the corporate structure.

Anyway, prince Eli, if you will, is sitting pretty. He is in the top 1% and all he has to do is mind his manners and he could one day rise to CEO if he can survive the rivalry of his cousin. Of course, something comes along that changes Eli’s world forever, or there wouldn’t be a book. Hughes takes his time in fully revealing what that something is, so I won’t spill the whole story here. But for those of you fellow writers looking for a way to work in conflict from the first page on, you could do worse than the first line from A Crack in the Sky (not counting the prologue):

Something was wrong.

While sitting in class being taught by a robot instructor (awesome), Eli witnesses an explosion in the dome sky. There is no need to worry, of course. Infinicorp is taking care of everything. But Eli does worry and he sneaks out of class to investigate, leading to an encounter with an Outsider. Outsiders are people who live outside the dome cities in the harsh desert heat of a destroyed environment. They are not fans of Infinicorp and are dismissed as

"practically animals… Cannibals, cutthroats, and criminals… if starvation doesn’t get them, brain fever rots their minds away. It’s very sad.”

At this time, Eli also finds a copy of Alice in Wonderland, which is appropriate. This encounter leads to further encounters with the Outsiders and Eli chases them down the rabbit hole where he gains a new perspective on Infinicorp and how their actions impact the rest of the world.

Here is what one Outsider has to say, and I’ll let this speech stand for all the rest:

"Consider how Insiders are kept sedated with hollow jobs and empty aspirations. They're distracted with products and meaningless entertainment. Have you ever asked yourself what the purpose is?" Behind the mask the boy narrowed his eyes. "It's a diversion, Eli. A reassuring ruse to maintain a semblance of the old ways. For now it appears safe, but the fantasy comes with a cost. The Great Sickness wasn't the end of the trouble--it was barely the beginning. Harsh reality is still building up out there. It's knocking at the door, rattling the domes' foundations. It won't be ignored much longer--you can be sure of that. But you already sense this. I can see it. It's not Outside that's dead. The wasteland is the only truth we have left, the land of the real survivors. Look around. It's your world that's a living death."

There is more plot than what I have described to you and I haven’t even touched on the revolutionary Tabitha Bloomberg, but you get the idea. The plot of this first book in what promises to be an exciting series is a little like The Matrix. Eli, like Neo, with the help of outside revolutionaries discovers that everything he knows about the world around him is wrong. Perhaps a giant corporation controlling the lives of an entire society isn’t so great after all.

And it’s no coincidence that the novel cleverly opens with a falling bit of “sky.” Eli is a chicken little of sorts and of course his revelations are not really intended for the employees of Infinicorp, but for the readers who live in a corporate controlled environment with disaster impending from all sides. The metaphor holds and provides Hughes with an opportunity to satirize and criticize our own world. Fun stuff.

I don’t want to spoil this book for you, Esteemed Reader, so I’ll stop now. But I will spoil one small thing that is revealed in the first fifty pages anyway. Eli has a pet mongoose. The mongoose had a chip implanted in her head in an illegal operation that enhances her in some way, though no one knows how. Well, it turns out she is telepathic and can have mental conversations with Eli. How awesome is that? In a world of fiction riddled with every type of cliché, Hughes finds all sorts of original twists on conventions. Better yet, he occasionally tells the story from the perspective of the telepathic mongoose. Love it!

I see we are way past our word count. I went over because I felt bad for taking up so much of this review with rantings about how Ayn Rand was wrong (of course she was; virtue of selfishness indeed) and the wealthy don’t always use their cash to provide a greater world for the rest of us, holding industry upon their mighty shoulders like Atlas holds the world. Sometimes they use it to play money grabbing games on the market and bankrupt the country. Sometimes they blow it on every selfish desire they have, including paying Justin Bieber to sing at their daughter’s sweet sixteen party while their fellow Americans lose their health insurance, their jobs, their homes, and slide into oblivion.

But A Crack in the Sky is a great read. You’re going to the bookstore today anyway to get Mockingjay, so why not pick up this book and make it a week of dystopian rage? Come on, everybody! We’re as mad as heck and we’re not going to take it anymore! I, for one, will be demonstrating my populace rage by continuing to review children’s books:)

Let me close with one last observation from a book filled with witty observations because I just really liked this one. Projected on the dome's ceiling is not only the sky, but also various advertisements. At one point, Eli sees something on the ceiling that is projected, but not selling anything, and he is lost as to why anyone would want to project something without a sales pitch. Fascinating stuff. I shall leave you with an early quote from the text regarding the advertisements that I think resonates:

"Nurturing a customer's sense of well-being through positive message repetition," Dr. Toffler was saying, its voice cracking with age, "not only encourages complacency but is also a useful tool that ultimately leads to widespread respect for authority and obedience to rules."


STANDARD DISCLAIMER: All reviews here will be written to highlight a book’s positive qualities. It is my policy that if I don’t have something nice to say online, I won’t say anything at all (usually). I’ll leave you to discover the negative qualities of each week’s book on your own.