Tuesday, October 17, 2017

7 Questions For: Literary Agent Jennifer March Soloway

Jennifer March Soloway represents authors and illustrators of picture book, middle grade, and YA stories, and is actively building her list. Although she specializes in children’s literature, she also represents adult fiction, both literary and commercial, particularly crime, suspense and horror projects.

For picture books, she is drawn to a wide range of stories from silly to sweet, but she always appreciates a strong dose of humor and some kind of surprise at the end. When it comes to middle grade, she likes all kinds of genres, including adventures, mysteries, spooky-but-not-too-scary ghost stories, humor, realistic contemporary and fantasy.

YA is Jennifer’s sweet spot. She is a suspense junkie. She adores action-packed thrillers full of unexpected twists. Throw in a dash of romance, and she’s hooked! She’s a sucker for conspiracy plots where anyone might be a double agent, even the kid next door. She is a huge fan of psychological horror that blurs the lines between the real and the imagined. But as much as she loves a good thriller, she finds her favorite novels are literary stories about ordinary teens, especially those focused on family, relationships, sexuality, mental illness, or addiction. In such stories, she is particularly drawn to a close, confiding first-person narrative. Regardless of genre, she is actively seeking fresh new voices and perspectives underrepresented in literature.

That’s her wish list, but the truth is an author might have something she has never considered before, and it might be absolutely perfect for her. She is open to any good story that is well written with a strong, authentic voice. Surprise her!

Prior to joining ABLA, Jennifer worked in marketing and public relations in a variety of industries, including financial services, health care, and toys. She has an MFA in English and Creative Writing from Mills College, and was a fellow at the San Francisco Writer’s Grotto in 2012. She lives in San Francisco with her husband, their two sons, and an English bulldog.

Jennifer regularly presents at writing conferences all over the country, including the San Francisco Writers Conference, the Northern Colorado Writers Conference, and regional SCBWI conferences.

For her latest conference schedule, craft tips and more, follow Jennifer on Twitter at @marchsoloway.

And now Jennifer March Soloway faces the 7 Questions:

Question Seven: What are your top three favorite books?

This question is always so very hard for me. I have wide-ranging taste, and there are so many good books, it's difficult to choose. So I'm just going to list three of my favorites I've read in the past year, starting with my most recent fave:

You Bring the Distant Near by Mitali Perkins

Genuine Fraud by e. lockhart

Scythe by Neal Shusterman

(I love YA.)

And my favorite picture book is Grace For President by Kelly DiPucchio, with illustrations by LeYuen Pham. (I choke up every time I turn to the last page.)

Question Six: What are your top three favorite movies and television shows?

Again, so hard to choose! Here's my current favorites from the last few years (I have eclectic taste):

TV: Mr. Robot; People of Earth; and Insecure

Movies: The Big Sick; Embrace of the Serpent; and It Follows

Question Five: What are the qualities of your ideal client?

First, I want to fall in love with someone's writing and/or illustrations, and then I speak to that writer/illustrator to see if we click editorially. I also look for open and easy communication. If my suggestions resonate and inspire a prospective client and we are able to talk freely, then chances are the two of us are a good fit.

Question Four: What sort of project(s) would you most like to receive a query for?

I am open to any good story that is well written with strong, authentic voices of all kinds, but I'd love to find the following:

I am actively seeking MG, and I'm open to anything. I like boy and girl protagonists, adventure, spooky-but-not-too-scary ghost stories, puzzles, mysteries, funny contemporary stories, fantasy, etc.

Young adult is my sweet spot. I am always looking for a good psychological horror that blurs the lines between the real with the imagined. I love the question: Is it real or is it all in my head? Action-packed thrillers and mysteries, full of unexpected twists. I am also drawn to literary stories about ordinary people, especially those focused on family, relationships, sexuality, mental illness, or addiction.

For picture books, laugh-out-loud stories are my favorite. I like sweet picture books too, but I always appreciate a dose of humor.

That’s my wish list, but the truth is an author might have something I have never considered before, and it might be absolutely perfect for me. Please query me!

Question Three: What is your favorite thing about being an agent? What is your least favorite thing?

My favorite thing about agenting is the editorial process and helping writers elevate their work, but I also like many other aspects like writing pitches, working with editors, negotiating terms, thinking strategically about a client's career, and so on.

My least favorite thing is writing rejections.

Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)

A bit of wisdom:

Writing stories is all about asking questions and solving problems—for better or worse—and there are so many directions a story can go. If something isn’t working, think about the other possible outcomes. You will discover exciting new possibilities through revision that you would have never found otherwise.

Question One: If you could have lunch with any writer, living or dead, who would it be? Why?

Also, a really hard question. Maybe Sherman Alexie. I just had the good fortune to see him on his recent book tour for his memoir, You Don't Have to Say You Love Me, and he was engaging and funny and heartbreakingly honest. I could have listened to him for hours. Plus, The Absolutely True Diary of a Part-Time Indian is one of my favorite books.

Wednesday, October 11, 2017

7 Questions For: Author Kate DiCamillo

Kate DiCamillo’s writing journey has truly been a remarkable one. She grew up in Florida and moved to Minnesota in her twenties, where homesickness and a bitter winter led her to write Because of Winn-Dixie — her first published novel, which became a runaway bestseller and snapped up a Newbery Honor. The Tiger Rising, her second novel, was also set in Florida, and went on to become a National Book Award Finalist. Since then, the best-selling author has explored settings as varied as a medieval castle, a magician’s theater, and the bustling streets of Memphis, while continuing to enjoy great success, winning two Newbery Medals and being named National Ambassador for Young People’s Literature.

In her latest novel Raymie Nightingale, an instant New York Times #1 bestseller, she returns to her roots, once more setting the story in the Central Florida of her childhood. Like Raymie Clarke, the hero of this novel, Kate DiCamillo grew up in a small southern town in the seventies with a single mother, and she, too, entered a Little Miss contest and attempted to learn to twirl a baton. But while Raymie’s story is inspired by the author’s own life, Kate DiCamillo has transformed these seeds of truth into fiction — and in doing so, has captured a more universal truth.

No matter where her books are set, their themes of hope and belief amid impossible circumstances and their messages of shared humanity and connectedness have resonated with readers of all ages around the world. In her instant #1 New York Times bestseller The Miraculous Journey of Edward Tulane, a haughty china rabbit undergoes a profound transformation after finding himself facedown on the ocean floor — lost, and waiting to be found. The Tale of Despereaux — the Newbery Medal–winning novel that later inspired an animated adventure from Universal Pictures — stars a tiny mouse with exceptionally large ears who is driven by love to become an unlikely hero. The Magician’s Elephant, an acclaimed and exquisitely paced fable, dares to ask the question, What if? And Kate DiCamillo’s second Newbery Medal winner, Flora and Ulysses: The Illuminated Adventures, was released in 2013 to great acclaim, garnering five starred reviews and an instant spot on the New York Times bestseller list.

Born in Philadelphia but raised in the South, Kate DiCamillo now lives in Minneapolis.

Click here to read my review of Eugenia Lincoln and the Unexpected Package.

And now Kate DiCamillo faces the 7 Questions:

Question Seven: What are your top three favorite books?

You know I can't do this, right?  And you did say that I could cheat.  So, let's see— today my top three favorite middle grade novels  are:

The Watsons Go to Birmingham-1963 by Christopher Paul Curtis

Michael Bond's Paddington
And E.B. White's Charlotte's Web

Question Six: How much time do you spend each week writing? Reading?

Oooh, I like this question.  No one has ever asked this before.  Let's see.

Writing: about 14 hours.  Reading: about 30 hours.

Question Five: What was the path that led you to publication?

I was working in a book warehouse and I said to a Candlewick rep: I love everything that Candlewick does but I can't get in the door because I don't have an agent and I've never been published.

And that Candlewick rep (bless her) said: if you get me a manuscript, I will get it to an editor.

Question Four: Do you believe writers are born, taught or both? Which was true for you?

Hmmmm.  This is tough.  I think it's probably a combination of the two.

But I have come to believe that what matters is how much you want to do the work.  What matters more than talent is the desire.  And the relentlessness, the refusing to give up.

I wanted to be a writer so much.  I refused to give up.

Question Three: What is your favorite thing about writing? What is your least favorite thing?

My favorite thing is that finished book.  The thrill of it never goes away.

And the least favorite?  You never know if you're doing it right. With each book, you have to learn how to write all over again.

Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)

Read read read read read read read read.

Write.  And rewrite.  Rewrite.  Rewrite.  Rewrite.  Rewrite.

Don't despair.  Don't give up.

Question One: If you could have lunch with any writer, living or dead, who would it be? Why?

Katherine Paterson.  Because she is one of my favorite people on the planet, and I am a better human being in her company.

Monday, October 9, 2017


First Paragraph: Eugenia Lincoln was a practical person, a sensible person. She did not have time for poetry, geegaws, whoop-de-whoops, or frivolity.

I'm posting this on a Monday, Esteemed Reader, because I know that if you're a fan of middle grade fiction, you're a fan of Kate DiCamillo, and you've probably read all her books. But you haven't read this one (probably) because it doesn't come out until tomorrow. But I'm a big deal blogger (living the dream), and I've already read the newest Kate DiCamillo, so neener-neener.

Speaking of a big deal, something else I've read that you haven't: Kate DiCamillo's answers to the 7 Questions. Oh my god, you guys, oh my god, she's going to be here to face them on Wednesday and it's going to be hugely epic, so make sure you come back. By then, you'll have read Eugenia Lincoln and the Unexpected Package because I'm about to tell you how much I enjoyed this lighthearted romp that's written with a precision that makes it worthy of study.

I try to read widely to expose myself to a lot of authors and a lot of styles, which means I don't always get to go as deep into an author's catalog as I might like. Like any lover of middle grade, I love Because of Winn-Dixie and The Tale of Despereaux, and naturally I carved out time for Flora and Ulysses (who doesn't want to read about a super-heroic squirrel?). But then I got busy with another middle grade review for this blog and yadda, yadda, don't you judge me, Esteemed Reader, I doubt Kate DiCamillo has read three of my books...

Anyway, mores the pity, because there's a whole shared DiCamillo universe I've been missing out on. But I'll be catching up with a quickness. Eugenia Lincoln and the Unexpected Package is the fourth in the Tales from Deckawoo Drive series that is connected to the Mercy Watson series, which is also illustrated by Chris Van Dusen, who deserves his own separate review as his illustrations add so much to this story. Each book in the series tells the tale of a character from a group of related characters that pop into each other's books like the superheroes in Lisa Yee's Batgirl at Superhero High. This is a whole lot of fun and means almost every character introduced on Deckawoo Drive is fully realized enough to be the star of their own future story.

This is the story of Eugenia Lincoln (obviously) who is a very fun character indeed:

She had never been so frustrated in her life.
Actually, this was not true.
Eugenia spent a large portion of her life being frustrated. It was hard not to be frustrated. The world was just so... frustrating.

And also:

Eugenia Lincoln was very fond of lists.
They helped her think. Lists calmed her.
They made the world seem orderly and reasonable and manageable, even though the world was none of these things.

Eugenia Lincoln is an older woman, or so I assume from Chris Van Dusen's illustrations, and extremely curmudgeonly. She lives with her younger sister, Baby, and the two of them are about to...

You know what, let's go back to the first paragraph at the top of this review, because Kate DiCamillo does something quite extraordinary with the opening of this book that you can really only get away with in a middle grade work, which is one of the reasons I love this genre so much. Remember, this novel is aimed primarily at children 6-9 years old.

DiCamillo starts off this book by telling us exactly who our main character is and what her relationship is with her sister. Granted, most readers will have just completed the third book in this series, which is focused on Baby Lincoln, but still, this ordinarily something I'd harp on my critique partners for. But if the YA Cannibals wrote for a much earlier reader, I'd be dead wrong (happens a lot).

Pay attention to how DiCamillo shows us the truth of these characters through her word choice even as she's telling us the entire set up of the novel. Remember, that Eugenia would tell her sister these things shows us the sort of character she is and all the things Baby doesn't say shows us the character she is:

She believed in attending to the task at hand.
Eugenia Lincoln believed in Getting Things Done.
Baby Lincoln, Eugenia's younger sister, loved poetry, geegaws, and whoop-de-whoops of evey sort and variety.
She was especially fond of frivolity.
"We are diametrically opposed," said Eugenia to Baby. "You are woefully impractical. I am supremely practical."
"Yes, Sister," said Baby.
"You are soft, and I am sharpened to a very fine point, indeed," said Eugenia.
"Well, yes," said Baby. "That's true, I suppose."
"Suppose nothing," said Eugenia. "Believe me when I say that your head is in the clouds, and my feet are planted firmly on the terra firma."
"If you say so, Sister," said Baby.
"I say so," said Eugenia.
And that is how it as with Eugenia Lincoln and Baby Lincoln.
Until the day the unexpected package arrived.

Spoiler, the unexpected package is an accordion. Actually, this is a story that is mostly impervious to spoilers. The official description of the novel pretty much lays out the whole plot. The tagline is: "What will it take for a cynical older sister to realize she's a born accordion player—with music in her heart?" I mean, maybe there's a chance Eugenia won't learn to play the music of her heart, but I'd bet all the money in my wallet she will. 

This leaves us with one mystery:

"Miss Lincoln," said Frank. "Don't you want to know who sent you the accordion?"
Eugenia felt a small ping of uncertainty. It was the ping of the unknown, the unexplainable. Eugenia did not care for such pings.
"I do not want to know," said Eugenia.

I'm not going to tell you who sent the accordion as that remains a mystery to the end of the novel, but it's not a shocking reveal. I suspect most readers will know who the sender was before it's revealed because there's really only one character with motive, but it's a kind motive, and adds to the charm of this story.

You see, Esteemed Reader, this isn't one of your big time mysteries with lots of false leads, nor is is an overly-complex narrative. At 112 pages (many of which have pictures), it's short and sweet and it will put a smile on the reader's face, because that is its reason for being. This is a warm and safe sort of story filled with mostly pleasant happenings despite its curmudgeonly lead character. As a man who spends a lot of time in the realm of horror, I appreciate such a story where there's no chance of a sewer clown. No doubt younger readers, who face horrors of their own, will appreciate the respite as well.

We know Kate DiCamillo can tackle more complex stories and darker themes as we've seen her accomplish both, but this is a different sort of book, every bit as essential to a child's love of reading. A child could devour this story in an afternoon and still have more books available. They would laugh and smile and look forward to the next tale of Deckawoo Drive, which would mean the book accomplished fully its intended purpose. This is as noble a pursuit for an author as an epic tale, such as the one of Despereaux.

That pretty much concludes the review portion of this review: this book was good. I liked it. You will like it too.

Now, let's talk about technique, because there's a lot of it on display here. The thing to watch for is DiCamillo's economy of words. Remember, she's got 112 pages with sparse words and a lot of illustrations, so every sentence counts. She can't spend 800 words describing any one character and their backstory unless it's Eugenia, and even she doesn't get that many words of description in a row.

What DiCamillo does is pick out a few evocative details to suggest the full character. That effect combined with defining dialogue (no two characters speak the same way, however sparse the dialogue may be) creates multiple characters the reader can clearly see and identify with and look forward to revisiting in future tales. I'd also be curious to know what notes she gave to her illustrator, as he accomplishes a lot of the description, but certainly not all.

After receiving her accordion, Eugenia attempts to sell it to a man named Gaston LaTreaux, who instead insists on giving her accordion lessons. It's a running joke that he has on his person a business card for every conceivable occupation that comes up through the story. But witness how DiCamillo creates this man with three extremely distinct details:

Eugenia opened it and discovered a small, round man. The man was wearing a green velvet suit and a green velvet hat. The hat resembled a moldy mushroom.

The man smelled like lilacs and musty curtains and butter.

This third detail is even more expertly employed because not only does it tell us about Gaston, but it reveals a great deal about Eugenia's character as well:

The man had a large number of teeth. More teeth than the average person, it seemed. Eugenia felt it would be dangerous to trust such an excessively toothy person. But still, she had an accordion to sell. She couldn't afford to be overly particular.

And that's were we'll leave it for today, Esteemed Reader. Make sure you come back Wednesday when we'll have Kate DiCamillo here, and next week when we'll have another literary agent stop by to face the 7 Questions. It's a great time to be a ninja. As always, I'll leave you with some of my favorite passages from Eugenia Lincoln and the Unexpected Package:

Life was too annoying and unpredictable and pig-filled to be borne, sometimes.

She went into the living room and saw that the pig from next door had invited itself into the house and was now sitting on the couch and staring into space as if it were thinking, which it most certainly was not.

In the morning, Eugenia rose from her bed and went out to the kitchen and found that it was in severe disarray: chairs were overturned, crumbs were on the counter, unwashed plates were piled in the sink. There was an entire fruitcake in the center of the kitchen table. A fly was hovering over it, buzzing happily.

"Bah," said Eugenia to the sun.

What are you learning from the encyclopedia?" she said.
"This and that," said Frank. (this one you have to read the full book to appreciate, but it's pretty awesome when you're in the know)

STANDARD DISCLAIMER: Book of the Week is simply the best book I happened to read in a given week. There are likely other books as good or better that I just didn’t happen to read that week. Also, all reviews here will be written to highlight a book’s positive qualities. It is my policy that if I don’t have something nice to say online, I won’t say anything at all (usually). I’ll leave you to discover the negative qualities of each week’s book on your own. 

Monday, October 2, 2017

7 Questions For: Literary Agent Janine Le

Janine Le joined the Sheldon Fogelman Agency in 2010 and has gained experience in all aspects of the business, with a focus on editorial, contracts, and foreign rights. She enjoys the balance of creative-minded and business-minded work and knew she had found her niche in the field when she interned at an agency and realized the agent is the author’s biggest advocate. Janine graduated from Bucknell Unversity with honors in English (Creative Writing) and completed NYU’s Summer Publishing Institute. She is accepting submissions for fiction and narrative nonfiction picture books through YA. She is particularly drawn to stories that have emotional resonance and complex characters and relationships. She also looks for innovative concepts, diverse perspectives, humor, fantastic elements, and concise but playful or poetic language. In illustrations, she is looking for fresh styles, expressive characters, and visual storytelling.

You can follow her on twitter or visit her pinterest page. She also recently participated in the 12x12 Challenge.

And now Janine Le faces the 7 Questions:

Question Seven: What are your top three favorite books?

The Giver, Charlotte’s Web, Charlie and the Chocolate Factory (Nothing can replace the books I loved as a child!)                                 

Question Six: What are your top three favorite movies and television shows?

Movies- Say Anything, Zoolander, Life is Beautiful (Nothing can replace the movies I loved as a teen!)

TV- I like family comedies such as Modern Family, nerdy stuff like Human Planet, and reality shows such as Masterchef.

Question Five: What are the qualities of your ideal client?

Talented, has something unique and interesting to share with the world, responsive to feedback, professional, a nice person in general.

Question Four: What sort of project(s) would you most like to receive a query for?

I represent picture books through YA. I always look for plucky protagonists, emotional depth, and beautifully written yet easy-reading stories—pleasant reads that make a lasting impression. I’d like projects that are sensitive to the current hopes, dreams, and especially fears of young readers today.

I appreciate underrepresented voices and would especially like to see more mixed race characters and multicultural families, as well as families with adopted or foster children like in Kinda Like Brothers, but I don’t want the family makeup to be the center of the story. I’d love stories that transport readers to another time or place we might not be familiar with but should be.

I love A.S. King’s use of surrealism and would love to see someone who can use interesting devices to give the reader a fresh look at ordinary lives. I’m constantly amazed at how smart kids are and would love to see protagonists who can use their intelligence to draw readers in, like in The Thing About Jellyfish, Counting by 7s,and Out of my Mind.

Family and friends are very important to me and I’m interested in characters navigating relationships with friends and family that are special but not always easy. I’d like to see stories with characters juggling more adult responsibilities like working or helping out with siblings.

I enjoy magical realism but am not looking for high fantasy. I’m also a very active person who’s at various times been into running, cycling, climbing, and backpacking and now babywearing hiking, so characters who push themselves physically or have unusual hobbies that are vital parts of their lives might be up my alley. 

Question Three: What is your favorite thing about being an agent? What is your least favorite thing?

My favorite thing about being an agent is that our role is such an interesting blend of the creative and business side of publishing and that everything we do is for our clients’ benefit.

My least favorite is helping clients manage disappointment since I want everything to go perfectly for them and it doesn’t always go that way.   

Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)

Seek out criticism and look for ways those readers’ concerns can help you strengthen your work. I’ve taken on clients because I was impressed with their revisions but have never taken on something because the author made a convincing argument why my concerns were invalid. (Trust me, it’s been tried!)

Question One: If you could have lunch with any writer, living or dead, who would it be? Why?

Lois Lowry. I appreciate her life experience and outlook.

Tuesday, September 26, 2017

7 Questions For: Literary Agent Kelly Van Sant

Kelly Van Sant has nearly a decade of experience in the publishing industry. She cut her teeth in New York working at esteemed literary agencies such as Writers House and Harold Ober Associates, where she developed an eye for compelling, emotionally resonant stories, honed her editorial skills, and soon grew adept at contract vetting. She quickly gained expertise in subsidiary rights management, with focuses on audio rights, foreign rights, and permissions.

After relocating to Minnesota, Kelly joined Llewellyn Worldwide as their Contracts Manager across all three imprints and then moved to Quarto Publishing Group USA where she led the contract department. She has worked as a freelance editor with various publishers and is a teaching artist at the Loft Literary Center.  She also blogs about writing and the publishing industry at Pub(lishing) Crawl and co-hosts their weekly podcast.

Kelly's career came full circle when she joined D4EO Literary Agency in 2017 and began actively building her client list. You can learn more about her and what she's looking for on her blog Pen and Parsley.

And now Kelly Van Sant faces the 7 Questions:

Question Seven: What are your top three favorite books?

Who Will Run the Frog Hospital? by Lorrie Moore
Harry Potter and the Prisoner of Azkaban by J.K. Rowling
The Things They Carried by Tim O'Brien

Honorable mention: Sense and Sensibility by Jane Austen

Question Six: What are your top three favorite movies and television shows?

When Harry Met Sally
Rear Window
(Runner Up: Legally Blonde)

Orphan Black
Buffy The Vampire Slayer
Great British Bake Off

Question Five: What are the qualities of your ideal client?

Prolific: I want to work with authors over the course of their careers, so I am always hoping to sign clients who have more than one book in them.

Honest: This should be obvious, but I only want to go into business with honest people.

Hard-working:  Publishing demands a lot of authors, and I hope to work with people who have good work ethic, and are willing to rise up to the challenges that meet them.

Talented: Another obvious one, but true. I want to work with creative, innovative people, who write compelling, unique stories.

Communicative: I need my clients to be able to talk to me candidly. I want them to be comfortable stating their expectations, coming to me with concerns, questions, or ideas. For our partnership to work  we need to have open communication.

Receptive: Likewise, I want my clients to be open to listening to feedback, counsel, and advice. Whether it's editorial feedback from a publisher or career advice coming from me, I want my authors to be open to hearing suggestions and being willing to consider all angles of an issue before making a determination.

Question Four: What sort of project(s) would you most like to receive a query for?

Right now I'm super into YA fantasy and science-fiction and upper middle grade fantasy and adventure. I especially love books about friendship and found family, with compelling characters, meaningful stakes, and a commercial hook. I am always seeking diverse books from diverse writers.

Question Three: What is your favorite thing about being an agent? What is your least favorite thing?

My favorite thing about being an agent is working closely with authors to improve their craft, retain creative control over their work, and plan the long-term trajectory of their careers. I really love the creative work that goes into editing and pitching, but I've also got a background in contracts and I'm incredibly passionate about making sure that authors enter into deals that are mutually beneficial, and that respect and protect their rights. There are too many tragic stories about authors falling for scams or signing contracts that are full of red flags. As much as I love the creative work, I also really love negotiating and advocating for authors to give them the clearest and most positive path forward.

My least favorite thing about being an agent is time management. I'm a pretty organized person, and so I didn't anticipate having problems falling behind schedule on queries or requested reading. But it seems like the days fly by, no matter how organized and on top of things I am. Of course I am so grateful to have so many people interested in querying me; but it's a bit of a never-ending avalanche. I hate the times when I fall behind, because I know I'm keeping people waiting, and I hate not being able to respond promptly. I really respect writers, and I think it takes a tremendous amount of courage to query and seek representation. I believe in responding to every query I receive; I think authors deserve a direct response. Sometimes it just takes much longer than I'd like to send that response.

Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)

Cultivate patience. This is such a hypocritical things to say, as I myself am an incredibly impatient person. But publishing is a slow industry at every stage, and if you cannot master patience then you will be very unhappy for much of the process. Always have something new to work on--it's one of the best ways to distract yourself while you wait, and it keeps you moving forward rather than staying stagnant.

Question One: If you could have lunch with any writer, living or dead, who would it be? Why?

I would love to have lunch with the late Louise Rennison, author of the Confessions of Georgia Nicolson series, because she'd be down for cocktails and would make me laugh until I cried.

Thursday, September 21, 2017

7 Questions For: Author Lisa Yee

Lisa Yee’s debut novel, Millicent Min, Girl Genius, won the prestigious Sid Fleischman Humor Award. With over two million books in print, her other novels for young people include Stanford Wong Flunks Big-Time, So Totally Emily Ebers, Absolutely Maybe, and a series about a 4th grader, Bobby vs. Girls (Accidentally) and Bobby the Brave (Sometimes).

Lisa is also the author of American Girl’s Kanani books and Good Luck, Ivy, and this year's Lea Clark novels. Her novel, Warp Speed, is about a Star Trek geek who gets beat up everyday at school. A Thurber House Children’s Writer-in-Residence, Lisa's books have been named a NPR Best Summer Read, Sports Illustrated Kids Hot Summer Read, and USA Today Critics’ Top Pick.

The Kidney Hypothetical - Or How To Ruin Your Life In Seven Days is Lisa's latest novel for teens. Lisa's 2016 books include the DC Super Hero Girls middle grade novel series and the American Girl, 2016 Girl of the Year books. 2017 novels include Batgirl At Super Hero High, and Katana At Super Hero High.

Click here to read my review of Batgirl at Super Hero High.

And now Lisa Yee faces the 7 Questions:

Question Seven: What are your top three favorite books?

Oh, right. Ask me the impossible.

At this moment, I’d say, Walk Two Moons, Look Homeward, Angel, and To Kill A Mockingbird.

Question Six: How much time do you spend each week writing? Reading?

If I’m on a deadline, I write 24/7, but take time off to sleep and eat. During a normal week, I read an hour or two a day.

Question Five: What was the path that led you to publication?

Unhappiness fueled me to write. I was leading a complicated life and needed a release that belonged to me and no one else. So I began to write late at night. Later, I sent in something to Arthur A. Levine who pulled me from the slush pile. We went on to do eight novels together.

Question Four: Do you believe writers are born, taught or both? Which was true for you?

Both! Being born an introvert has its benefits. You tend to live in your own world a lot. That coupled with a mom who instilled the love of reading in me at a very young age, pointed me toward being a writer.

Question Three: What is your favorite thing about writing? What is your least favorite thing?

I love it when I write a really great sentence. I hate it when I can’t write a really great sentence.

Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)

If you think you don’t have enough time to write, then you don’t. But if you really want to write, you will find the time.

Question One: If you could have lunch with any writer, living or dead, who would it be? Why?

Harper Lee. Because I have so many questions. (But would be fine just to bask in her presence.)

Tuesday, September 19, 2017

Book of the Week: BATGIRL AT SUPER HERO HIGH by Lisa Yee

First Paragraph(s): Oh, sure, there were injuries. Lumps and bruises were an occupational hazard. Sometimes it was because a muscle-bound metahuman was momentarily careless when working out in Wildcat’s phys ed class. Or because a flyer took a turn a tad too sharply and slammed into a wall (or a fellow student or the cafeteria) at full speed. Or because of something like what had just happened: an invading interstellar alien army had targeted the student population for total enslavement to the powers of evil…which was all part of the daily routine at Super Hero High School. And most of the super heroes in training loved it. 
Now, as the young heroes flew, ran, stretched, strolled, and teleported into the auditorium, they laughed and congratulated each other. They admired their new casts and bandages and bruises. Never had so many been so sore—and so happy about it.

I don't know if I've ever mentioned this over the course of this blog, Esteemed Reader, but I'm something of a fan of Batman and other superheroes. As I recently told you in a post featuring a Batman gif, I'm plunging myself back into the world of middle grade writing and working on a second adventure for Banneker Bones, my character based on Batman.

Lisa Yee is a middle grade author I've wanted to feature here since I read her wonderful Millicent Min, Girl Genius and she'll be here on Thursday, so look forward to that. When I saw she was writing the Super Hero High series, I wanted to read it at once (and so will you when I tell you more). Batgirl and Supergirl are two of my favorite characters and Lisa Yee is an author I admire, so I knew I was in for a treat. And this was the perfect book for me to read in preparation for my own project.

What a fun series this is! It's clever and hit all the right notes for a middle grade book for girls about girls that can also amuse a grown man who still likes his comics. Super Hero High is like Hogwarts if Hogwarts had way cooler students based on DC characters. Personally, I would never want to go back to high school unless it was Super Hero High, and then I might consider it, because I'd love to take these classes:

In PE, instead of running laps around a track, they were often asked to run laps around the city. And in Weaponomics, they were learning about devices that could cause mass destruction—or save the world. As the school’s part-time tech wizard, Batgirl had seen it all.

As Principal Amanda Waller warns Barbara Gordon, A.K.A. Batgirl:

This isn’t like your old high school. Here, we train students to save lives, make the world a better place, and lead by example. There are villains who will aim to bring you and the world down. We have to be prepared for that.”

Obviously, as Amanda Waller is principal of a high school, Super Hero High is set in its own continuity separate from any other DC story. Although I can't say for certain as Harley Quinn's Super Hero High book doesn't come out until January, I'm guessing she didn't fall in love with the Joker after obtaining her doctorate in kindergarten. I'm also betting money that Batgirl won't be shot in the spine and paralyzed before the end of the series, though Yee does endow her with all the technical know how she'll need if she ever does become Oracle. 

In this version of the DC Universe, Dr. Arkham is a school counselor, which strikes me as rather ominous. More fun, Crazy Quilt is teaching costume making, and Red Tornado and Comissioner James Gordon are on the faculty as well (more on him in a moment). Steve Trevor is working at the local Capes and Cowls Cafe and wouldn't you know it, Batgirl's classmate Wonder Woman (the girl) has a crush on him. The reader is running into other characters from the DC universe every other chapter, sometimes literally:

“Barbara reporting to Supergirl. Supergirl, do you read me?” 
Her wafer-thin com bracelet crackled before she heard “Oops, ouch! Sorry! Sorry.” There was a moment of silence, followed by a loud thud, and then Supergirl’s voice came in. “Hey there, BFF. I flew too fast and The Flash was running too fast and we had a major collision. But we’re both okay. At least, I think we are. He looks sort of wobbly. What’s up?”

Sorry fellas, but the focus of this series is on the female characters of the DCU, most of them as teenagers. Aside from the Flash and Cyborg, I didn't spot a teenage Auquaman, or even Robin. But I think I would've enjoyed this series even as a teenage boy as superheroes of both sexes make for the most fun adventures.There are plenty of stories focusing on teenage Superman, but that's for another series.

Yee is careful to maintain the essential essence of every character in the DCU without being a slave to the source material. Yes, Harley's a bit crazy, but mostly about media and her own fame, and one gets the sense that in this version of the DCU, she might grow up to be... not good, exactly, but not bad bad either. As for Barbara Gordon, who mostly goes by the name Batgirl in school, Yee has lots of fun along the way with an oh-so-slight rearranging of her mythology:

Batgirl was relieved that she got to keep her annex, or as she referred to it, her Barbara-Assisted Technology Bunker. This was also called the Bat-Bunker.

Of all the characters present, I felt that Batgirl was the most true to her comic book self. When Red Tornado insists the teen super heroes learn to drive non-super-people vehicles so they can blend in as necessary (half of them will grow up to have secret identities, after all), Barbara naturally chooses the motorcycle, because it is her destiny.

Yee wisely shifts the novel's focus from the superhero aspects of our teen superheroes' lives to the more universal situations faced even by regular human teenagers without superpowers. At the end of the day, this is primarily a story about a girl and her father readers know from Batman comics, which is what most Batgirl stories have always been about. Commissioner Gordon wants his little girl to be safe and needs to learn to back off, Barbara Gordon wants to be a super hero, but needs to remember her father cares about her and has her best interest at heart. Though I did find it quite funny that Gordon, who is on the faculty at Super Hero High, wants his daughter to go to Gotham City High School where she'll be safe. It's like, Bro, do you even read Batman comics?

What makes Yee's version of Batgirl all the more interesting is that she employs an intellectual response to her problems the same as her young readers can. This is how she handles her father's objections to her attending a school for superheroes:

Barbara knew she couldn’t argue with her dad’s feelings. She also knew he couldn’t argue with facts. Employing complex computer graphs and charts featuring a matrix of statistics to support her argument and supplemented by state-of-the-art videos, she worked deep into the night. 
The next day was Saturday. That afternoon Barbara invited her father into the living room. Her presentation took over an hour, and as Commissioner Gordon sat in his favorite chair nodding, neither smiling nor frowning, Barbara piled fact upon fact and reason upon reason as to why she should be allowed to go to Super Hero High.

It's good that Barbara is ready to use her brain, as she's at a school where most of the students outmatch her in the brawn department. Most of her fellow students "were born with powers, or developed special skills at a young age. Her peers had been nurtured at super hero preschools, then super hero elementary and middle schools. Conversely, Batgirl was a latecomer and had to make up for a lot of lost time." 

In doing everything she can to fit in with superheroes, not to mention running most of the school's IT needs, and taking care of a sick bat, and also competing in a reality show, Batgirl runs herself down and has to learn how to manage her time and her life, which is a lesson needed by most teens and their parents and everyone:

“People think I’m stressed,” she told him. “But really, I’m not. Okay, okay, maybe a little. Sometimes. But not all the time. Not when I’m asleep!” She let out a too-loud laugh. Batgirl kept dreaming about all the things she was supposed to get done and would wake up exhausted

Batgirl at Super Hero High is a fun story filled with beloved characters used in new and interesting ways. It's chock full of humor and charm and soars high (look at me, I'm Gene Shalit!). Although, even in the fantastical world of the DCU, one still runs across the occasional troll.

“NO!” he yelled. The sides of his mouth curled downward and there was insult in his eyes. “Not you!” 
Batgirl stopped. 
“In my day, super heroes could fly and move buildings, and were all men. NOT GIRLS!” Mr. Morris grumbled. 
Batgirl continued to remove the shoes, then lent a hand to help him up. 
“Next time,” he grumbled, “I want a real super hero, not a girl.”

Me, I just say that adds a degree of realism to a story, that while unrealistic, is absolutely accessible to younger readers. You should absolutely add this series to your reading list and for sure check back here on Thursday to see Lisa Yee face the 7 Questions. 

As always, I'll leave you with some of my favorite passages from Batgirl at Super Hero High:

No one dared move, and Miss Martian couldn’t because Killer Frost had just frozen her, “as a joke.” The only sound in the cavernous auditorium was a tiny ping coming from Cyborg’s internal circuitry.

 Batgirl felt an icy chill go through her entire body. “Ice to meet you,” Captain Cold said.

"When you meet new people, you should always hit them hard, and if that doesn’t work, hit them harder. Remember to always lead with a punch. BOOM!” 
“When I meet someone new, I prefer to lead with a smile,” Batgirl said, offering her one. 
Barda looked at her with suspicion.

Everyone applauded and Cyborg smiled. He had a nice smile. Cyborg lifted his arm to wave, and wave, and wave. It wasn’t until a minute had passed that Batgirl realized he was malfunctioning and couldn’t stop waving.

The library installation had gone well. Now students were able to access books and resource material from their dorm rooms, space vehicles, anywhere—though many still congregated at the heavy wooden tables in the library that were lit with old-fashioned green banker’s lamps. 
“It feels so awesomely retro and academic to study in here,” Hawkgirl whispered. 
“I know!” Batgirl agreed. “I know…but this is where all the knowledge is. I love the smell of information in this room.” 
Just as she was about to sniff an old leather-bound copy of Ra’s al Ghul’s The Decline of the Ancient World, someone cried, “THERE YOU ARE!”

STANDARD DISCLAIMER: Book of the Week is simply the best book I happened to read in a given week. There are likely other books as good or better that I just didn’t happen to read that week. Also, all reviews here will be written to highlight a book’s positive qualities. It is my policy that if I don’t have something nice to say online, I won’t say anything at all (usually). I’ll leave you to discover the negative qualities of each week’s book on your own. 

Banneker Bones Appendix

Because this blog has always doubled as my writer's notebook, I sometimes store things here that may not interest regular Esteemed Readers, such as my handy Middle Grade Ninja Style Guide. I check that page (and update it frequently) and direct editors of my work there as well. And because it's online, anyone who needs it has access to it and I can't lose it:)

The following is a living document (expect regular updates) to help me keep track of the details of Banneker's universe. If you're a fan of Banneker Bones, this might come in handy for you as well. If you've never read Banneker Bones and the Giant Robot Bees, I assure you, the book will prove far more interesting than this scattering of author notes. Why not start with the first five chapters?

Expect this appendix to get much, much longer and far more detailed as I work through Banneker's upcoming adventures. This will be a useful exercise for me. Maybe you'll care, maybe you won't. Whatever:) Plenty of great interviews and guest posts in the archives for you to peruse.


BANNEKER BONES: 11-year-old genius detective, biracial with light brown skin, brown eyes, and dark hair kinked close to his head (with faint blond patches), hums tunelessly when nervous or concentrating, terrified of bees. Allergic to dogs. Invented the Gyration Rotation Station: Teachers across America told their students the legend of how the then only six-year-old Banneker Bones put together the final bit of circuitry essential to his father’s invention of the first Autobox robot, using the pieces of a broken watch. Always wears the same outfit and thick, square black glasses. He was dressed in the clothes Ellicott would come to think of as his uniform because Banneker never wore anything else: mud-brown slacks and a black dress shirt with a cherry-red tie, over which he wore a forest-green v-neck sweater. Atop his head was a black felt hat with a wide white band just above its brim that made Banneker look a little like a detective in an old pulp comic book.

ELLICOTT SKULLWORTH: 11-year old genius sidekick, white with blond hair, blue eyes. Partial to hoodies and jeans, but unlike his famous cousin, wears different clothes everyday. Originally attended Mrs. Eddy's fifth-grade class at Brownsborough Elementary in Indiana before testing into the Latimer University Archimedes Program. Loves to read, is partial to horror novels. Excellent writer. Adores flying on jet pack and holographic videogames. Lacks confidence, contrasting with Banneker's overconfidence.

REGGIE RAND (the third): 11-year-old comic book artist, creator of Sa-Ninja, biracial, deeply enjoys mocking Banneker. The skinny kid had light brown skin and wore glasses, but his hair was too long and he was too tall to be Banneker Bones.

LING BONES: 7-year-old sister of Banneker, Chinese, proud of the fact that she's adopted, very talented piano player, extreme pain in Banneker's backside.

MR. REGINALD RAND (the second): Father of Reggie, Owner of Rand Enterprises, hulking bald white man. like a white bull stuffed into a shirt and tie. Has a distinctly deep voice. The man sounded like he recited Shakespeare to adoring crowds of English teachers on the weekends. He smokes cigars with a red 'R' wrapped around the end. "What the President and the Congress don’t understand, what they've never understood, is it’s the captains of industry who truly rule America. Decisions are made in boardrooms, not the halls of government." Far more Lex Luthor than Donald Trump: He was dressed in a dark purple suit with a black tie made of a material that reflected every light in the room. From this distance he appeared so handsome he shone. 

DR. MYRA BONES (Aunt Myra): Banneker's mother, Professor of English at Latimer University. Does not wear glasses. Eyes bulge in sarcasm. Loves books almost as much as Ellicott. Dr. Myra Bones had dark skin, kinky hair that shot up straight from her head into an afro, and soft brown eyes that looked friendly.

DR. PATRICK BONES (Uncle Patrick): Banneker's father, president of the Autobox Company, inventor of Robots, sort of out-to-lunch most of the time. Wears thick black glasses like Banneker's. Dr. Patrick Bones was tall and thin with blue eyes and blond hair. He had a strong cleft chin and he greatly resembled Ellicott’s father and Ellicott himself. He was dressed in jeans, a white lab coat, and a button-down shirt that was only half tucked in. He had at least three days’ stubble on his hollow cheeks and his blond hair went every which way.

DR. JUANITA FRANKLIN (Grandma Juanita): Banneker's 70-year-old grandmother, black. She cooks all the food served at 221 Garrett Street, Myra Bones' mother. Devoted reader of The Latimer City Inquisitor.

PATRICIA SKULLWORTH: Ellicott's mother; affectionately call him 'Ellie.' Terrified of robots. Likes a strong drink after an encounter with one. Not afraid to confront her husband when it comes to Ellie, even if it involves a bit of corrupting her child (just a little). A fan of romance novels, such as Destiny Takes a Lover. His mother smiled, though tears glistened in her eyes, and she hugged Ellicott close to her for one last embrace. “You’re going to do well here, I know it. You’re brilliant. Always have been. And I’m proud of you.”

HARVEY SKULLWORTH: Ellicott's father. Blond hair and blue eyes like Ellicott and his half brother Patrick Bones, whom he hasn't spoken to in years for reasons not yet specified. Kinda creepy that Harvey married a woman named "Patricia." Maybe we'll explore that in an upcoming book. Probably we won't. Anyway, Harvey hates robots. Seems awful angry and cynical a lot of the time; pictures himself a working class hero taking the high road. Big-time football fan, giver of suspect advice. Manager at a Rand Enterprise's warehouse.

CHARACTERS (non-humans)

IMPORTANT: Robots are neither male nor female. Refer to them as 'it.' PEOPLE may call them 'he' or 'she,' but that's a reflection on the humans, not the robots.

ALSO IMPORTANT: Robots are designed to make humans comfortable over efficiency. For this reason, robot vehicles appear to have drivers, though they aren't necessary.

WINSTON: Robot butler. If it had a last name, it would be Pennyworth, but robots don't have last names:) Banneker's only friend/servant. Banneker rides him to dinner, which is not something friends should do. The back of its head can be a monitor and it can read Banneker's email and access Banneker's computer privileges even when they've been revoked. A bright silver robot appeared at the top of the staircase. It descended on thin metal legs finished in three-pronged feet, the long toes of which curled around each stair as the robot stepped.Its center was a bulky cube. The robot had two arms as thin as its legs. Its head was a metal box with a hinged jaw. Two dark pink eyes bulged out past the edges of its face. Has jet flames that fire out its feet when Winston wants to fly. “The protection and service of all the children in this home,” Winston said. “It's my primary function.”
Ellicott thought of the way Winston had allowed Banneker to ride him to dinner. “So if you serve the children in this home, does that include me?” Winston’s eyes flashed pink light and Ellicott had the impression his question amused the robot. “You're a child in this home, aren't you?” “I guess I am,” Ellicott said. “If I ask you to kick somebody really hard for me, will you do it?” All light disappeared from Winston’s eyes. “No. My programming forbids me to harm any human or creature unless not doing so conflicts with my primary function.”

BISHOP: Giant security robot who protects the Bones family penthouse. A bronze robot that projects a beam of red light from its eye. The bronze robot stepped out of Rand Enterprises ducking, and then extended to its full height of nearly two stories. At the end of its arms were large barrels like Gatling guns where hands should’ve been. (30 barrels) He’s only armed with rubber bullets and chloroformus oxide.

JACOB: Snooty robot doorman who greets the visitors of 221 Garrett Street. Plugs into a charging station behind the lobby's front desk, answers phone calls without a phone. A robot with two big black wheels for feet, a silver chest, and arms ending in four steel fingers approached. It was dressed in a red doorman’s jacket that matched its red base, and permanently molded to its head was a steel cap, also red. The robot’s eyes pulsed purple light with each word, but its steel mouth stayed frozen in a wide grin. Ellicott had the distinct impression that though the robot doorman had barely more than a metal nub for a nose, it was now looking down it at his mother and him.

ROBOT WAITERS: There's also a kitchen staff that's rarely scene. Think of them as enchanted furniture ala Beauty and the Beast. The three robot waiters came rolling into the room carrying bowls of some steaming red substance that smelled exotic and spicy.Each robot had four arms and was able to carry four bowls without needing a hot pad. The last robot carried only one bowl and another pitcher of water. The robot waiter rolled into the kitchen where Ellicott could see another robot washing dishes.

EDWIN: Driver of the Bones' family Limo. Ellicott had once asked his uncle why the Autobox Company's vehicles had robot drivers. "I mean, it's not like a robot car needs arms to turn its own steering wheel." Uncle Patrick had agreed this was true, but the company had market tested vehicles without drivers and the overwhelming consensus had been that potential customers found them "weird." 

SECURITY ROBOTS: Sometimes carry EMP blast rifles. robots painted blue with the word 'SECURITY' across their chests in white.

SANIN-JA (Sanin-JA): The star of Reggie and Ellicott's comic book. He opened the pad to reveal a sketch of a muscle-bound hero with big black eyes and a huge bald head. The hero was throwing two Chinese stars, one with each hand, and strapped across his back was a bo staff. “He’s an alien ninja with the power of telepathy and telekinesis.” Reggie grinned and flipped to the next page on which was a drawing of the same muscle-bound alien dressed in a suit and tie and wearing glasses. “This is his secret identity: Sanin-Joe.” Reggie flipped through more pages in which Sanin-JA was slicing the arms and legs off foot soldiers while wielding dual samurai swords, fighting monsters with his bare hands, and exploding the heads of criminals with his amazing psychic powers. Each drawing was accompanied by erupting fountains of blood.“You just tell the same story that’s in every superhero comic. Your hero comes from another planet down to Earth where he learns to love humans and becomes best friends with an evil genius who later turns out to be his greatest nemesis. And then they fight forever and eventually, if Sanin-JA has a sidekick, the evil genius kills him and they have their biggest fight of all.”


IMPORTANT: All the rooms in the Bones' Penthouse have programmable walls and carpet, so they can change design at any time (you didn't catch me in a lapse, Esteemed Reader, the room must've changed since the last time I described it).

221 Garrett Street (at the intersection of Garrett and Morgan, hee hee): Home of the Bones family (and Ellicott). Has impressive fountain in its lobby with a moving frog boy in its center ala Ball State (holla!) and moving fishies. 221 Garrett Street. appeared to be made entirely of darkened glass and stone. A grand marquee extended over the wide sidewalk. The building looked more like a swanky hotel than a place where people actually lived.

Bones Family Penthouse: Ginormous apartment with 20-foot windows big enough for giant robot bees to fly through and a grand piano on a raised platform. On the other side of this ridiculously enormous front room was a gathering of expensive-looking furniture in front of a fireplace the size of a garage door. Between the piano on the right and the fireplace on the left, a grand staircase wound down to the center of the room. This was not an apartment. This was a mansion that happened to be located at the top of an apartment building. 

Party Room: The funkiest room you ever seen. Tell you what its name is: Party Room. Rocks a party like nobody can. Rules and regulations, no place in this room's nation... It's nextdoor to the front of the penthouse as Ellicott walked directly there from listening to Ling play piano.  Around the bar were tables and chairs, and Ellicott guessed this must be a room where parties were held, but it felt more like a fancy restaurant than someone’s home.

Dining Room: Down the hall from party room.  Ellicott couldn’t possibly imagine a dining room bigger or fancier than this one. The walls were at least 15-feet tall and there were windows that ran from the marble floor to the ornately carved ceiling on either side of the table. Long blue velvet curtains hung to the side of each window, but they were open and the darkened skyline of Latimer City could be seen through them: bright lights, neon signs, and tall buildings of concrete and steel, the tops of which just reached the level of the dining room’s windows, reminding Ellicott how high up he was. Ellicott chose the chair beside his mother and had to move some of the rich red tablecloth aside to sit down. It pooled over his legs like a blanket. In front of him were two crystal goblets, three spoons, three forks, and two knives. Ellicott spun to see a robot of a similar model as the doorman pouring water from a pitcher into his glass. Just as the doorman’s red jacket had been permanently painted on, this waiter robot wore a permanent white tuxedo jacket.

***We are promised a grand dining hall not yet shone.

Banneker's Room: On the second floor of the penthouse. Large oak door at the end of the hall. This one room was bigger than Ellicott’s whole house, and it was three stories high. It was large enough for a Tyrannosaurus rex to stand upright and fit comfortably in the center of things. The walls were cold riveted steel, but black designs had been painted on them like Rorschach ink blots. On the wall directly ahead of them was a great clock 12 feet in circumference. The face of the clock was black, but the hour and minute hands glowed yellow and the numbers were neon red.Reggie led him beneath the clock into a new part of Banneker Bones’ bedroom where the ceiling dropped lower as there was yet more bedroom on the floor above them. They passed between four steel tables littered with bits of machinery and various metal objects that looked a lot like arms and legs. Ellicott spotted a steel head with light-up eyes.

***Clock is 10 minutes fast

Banneker's Office: Directly above Banneker's robotics lab and behind the great clock. Accessible by a spiral steel staircase and a fireman's pole (naturally).  The first thing he saw of the second floor was the giant television screen only because it was impossible to miss. Almost the entire far wall was one big screen, 10 feet high and 20 feet across. On the rear wall was the back of the giant clock. Though the yellow hands and the red neon numbers were mercifully not as bright from the back of the clock, they still provided the only light in an otherwise dark room... long table behind Banneker, at the end of which was an old-fashioned red phone that glowed beneath a glass dome cover.

Guest Room/Ellicott's room: On the second floor of Banneker's Room with five bookshelves.  “That’s where Banneker sleeps,” Aunt Myra said, pointing to the right of the front door where Ellicott at first saw only shelves filled with books. In front of the books was another spiral steel staircase and fireman’s pole, and now Ellicott realized there was even more to the second floor of Banneker’s incredible bedroom. “And this was the guest bedroom,” Aunt Myra said, pointing left. “But it’s your room now. Aunt Myra led him up the third and final steel staircase in Banneker Bones’ lair to the guest bedroom. It was four times the size of Ellicott’s bedroom back in Brownsborough and like Banneker's office, it had its own fireman's pole. Large windows on two of the walls looked out over the rest of Banneker’s extraordinary room. Ellicott poked his head into the bathroom. There was both a shower and a tub that looked more like a Jacuzzi. It was shaped in a perfect circle and could've held 20 Ellicotts.
“There’s a toothbrush and floss for you,” Aunt Myra said, pointing toward a marble sink with gold fixtures and an enormous vanity. “And on the other side of this counter is a laundry bin. Just leave your dirty clothes in there and Winston will take care of them.”

Uncle Patrick's Workshop: Directly below Banneker's robotics lab, connected by a spiral steel staircase and a fireman's pole.  THIS NEW ROOM WAS THE largest Ellicott had been in yet. There were partially finished robots everywhere and a lot of the same equipment Ellicott had seen in Banneker’s workshop, only larger. In the center of the room was a raised steel platformAt the top of the platform was a walkway the width of the deck around an above-ground pool, and that was what the platform reminded Ellicott of: an above-ground pool without water. In the center of the walkway was a pit filled with all sorts of machines.

Rand Enterprises Lobby: The first thing Ellicott saw of the lobby of Rand Enterprises was an enormous fountain five times the size of the fountain in the lobby of 221 Garrett Street. In the center of the fountain was a stone man bent forward with the literal weight of the world on his back, spinning between his shoulder blades. He led Ellicott around the giant fountain to where there were banks of 10 elevators on either side of the lobby. Between the elevators stood robots painted blue with the word 'SECURITY' across their chests in white. Only once he and the officers were in an elevator did it occur to Ellicott that he barely noticed the robots, he'd already become so accustomed to seeing them. They rode the elevator up 81 floors to the very top of Rand Enterprises.

Aunt Myra's Library: Three story library at the end of the hall from Banneker's room, which officially starts on the second story.  There were two enormous gated holes above the main floor's seating area, giving the library the feeling of a courthouse or other stately building. Through the circular openings, Ellicott glimpsed the other two floors of the library, all containing shelves upon shelves of books.At the end of every shelf was a painting or photograph blown up to poster size, and though they looked to be canvas stretched and placed into ornate golden frames, he suspected they could probably be changed as easily as the walls and floor of the hallway. Soft classical music played overhead and Ellicott had the thought that if it were possible to crack a doorway into Aunt Myra's skull and climb inside her mind, it would look and sound like this library.


JUKEBOOK: All-purpose book capable of generating holographic displays and neccesary for classes at Latimer City University: It was a slim book as thin as a folder, and when Ellicott opened it he saw there were no paper pages, only electronic screens on either side. “It’s a Jukebook, so it’s any book you want it to be,” Aunt Myra said. She pressed a power button in the lower corner. Both screens lit up and millions of book titles appeared for the reader to choose. “If I may make a suggestion.” Aunt Myra pointed to an icon for Watership Down by Richard Adams. “Have you read this one?” Ellicott grinned. The opening pages of Watership Down appeared on the two screens as though he were holding an open book.“I think you’ll like it. It’s my favorite.” Tiny holographic projectors protruded from the corners of the Jukebook, allowing small rabbits to crawl out of Watership Down's cover and hop across its pages. She pressed a button along the Jukebook’s spine and something long and black poked out that looked like a pen. Aunt Myra pulled the stylus free and manipulated the electronic menu until one page of the Jukebook went blank.

ROCKET SCOOTER: Textbook metal square that can transform into a rocket scooter and a jet pack because awesome: With that, Banneker took his backpack off his shoulders and pulled from it a metal square that was only a little larger and wider than a textbook. He set it on the sidewalk in front of him and at once the metal began to reform. It unfolded itself, sprouting wheels and a steering column. Within 30 seconds and with surprisingly little noise beyond a faint whir, it had shaped itself into something that looked like a scooter. Banneker kicked off and started the scooter down the street. Then two streams of flame shot out from somewhere beneath the scooter.


IMPORTANT: 12 girls and 8 boys of the Archimedes Program.

IMPORTANT: official school colors are red and gold.

SCHEDULE OF CLASSES: Mondays and Wednesdays: American History, World History, American Literature, Art, Lunch, Homeroom. Tuesday and Thursdays: Swimming, Anatomy, Applied Physics, Mathematical Theory, Lunch, Homeroom. According to the schedule, this was World History with Professor Chandra Gupta. Next up was American Literature taught by—Ellicott reread just to be sure—Professor Myra Bones. After that, was Art, followed by lunch, and then something called Homeroom with Professor Nelson Martinez.Ellicott couldn’t believe his luck: two history courses, a literature class taught by his aunt, and an art class—all Ellicott’s favorite subjects! His stomach turned, however, when he read his schedule for tomorrow: Swimming (not bad), followed by Anatomy (could be interesting), followed by Applied Physics (yikes!), followed by Mathematical Theory (theoretical math sounded a lot harder than regular math), followed by more Homeroom.

THE CAMPUS: Latimer University itself is a fairly standard city college (in a world of high concept science fiction) for well-to-do students. It's the Archimedes Program that's special. Ellicott had never been on a college campus before and he was amazed by how large it was. There were tall brick buildings on either side of the limo marked with plaques proclaiming them as the School of Science or the School of Telecommunications, and so on. Apparently every academic subject had its own building and its own plaque and students hurried between the buildings yammering on phones. Above the brick buildings, Ellicott could see the tops of the larger buildings of Latimer City. But they seemed farther away, as though the university were its own separate city within a city.

LECTURE HALL: American History and World History are held in the same lecture hall. A lectern is at the front as well as a holocomputer. There were 40 rows of desks, almost all full, and arranged in descending heights like the seats in a sports arena. There must've been 300 students in the giant university lecture hall, all at least eight years older than the boys.

PROFESSOR NELSON MARTINEZ: Homeroom professor. At the front of the room a skinny old black man dressed in a suit stood behind a lectern.

PROFESSOR MCGOWN: American History professor. At the front of the room a skinny old black man dressed in a suit stood behind a lectern.

PROFESSOR CHANDRA GUPTA: World History professor. A short Indian woman dressed in a sari.

WYATT LANDER: College student with long hair. Description forthcoming.