Showing posts with label Kathi Appelt. Show all posts
Showing posts with label Kathi Appelt. Show all posts

Saturday, March 28, 2020

Middle Grade Ninja Episode 66: Author Anne Bustard

To watch new episodes as they air, go to YouTube and subscribe.

Middle Grade Ninja is available on SoundcloudStitcheritunesPodbeanPodblasterRadioPublicblubrryListen NotesGoogle Play, and many other fine locations.


Anne Bustard and I discuss her newest book, BLUE SKIES, and its 20-year journey from a picture book to a middle grade novel. She tells me about her life as a perpetual student, earning a BS, MLIS, PHD, and an MFA from the Vermont College of Fine Arts, as well as devising her own learning program utilizing WRITING THE BREAKOUT NOVEL by Donald Maass. We talk about her time as an elementary school teacher and a bookstore owner, how attending a writing workshop taught by previous guest Kathi Appelt changed her life, and so much more.






Born in Hawaii, author Anne Bustard is still a beach girl at heart. If she could, she would walk by the ocean every day, wear flip-flops, and eat nothing but fresh pineapple, macadamia nuts and chocolate. Growing up, Anne took years of hula lessons and spent many happy hours wearing a facemask and breathing through a snorkel. Her small sea glass collection from childhood is one of her most treasured possessions.

Anne loves school. And she has a lot of degrees to prove it. Three came from the University of Texas at Austin (BS, MLIS, PhD). Her most recent one, and she believes her last, is an MFA from the Vermont College of Fine Arts in Writing for Children and Young Adults.

Children’s books have always been central to her life. When she taught in elementary schools and universities, she always used literature. Anne co-owned Toad Hall Children’s Bookstore in Austin, Texas, too. As a bookseller, she loved opening up new boxes of books, telling others about them and running a summer writing program for children.

Anne is the author of several works for young readers including award-winners Buddy: The Story of Buddy Holly (Paula Wiseman Books/Simon and Schuster Books for Young Readers) and Anywhere but Paradise (Lerner).

In Spring 2020, her next middle grade novel, Blue Skies (Simon and Schuster Books for Young Readers) and RAD! her first fiction picture book, illustrated by Daniel Wiseman (Abrams Books for Young Readers) will be published.

Anne recently married her college sweetheart and divides her time between Ontario and Texas.




Ten-year old Glory Bea Bennett believes in miracles. After all, her grandmother—the best matchmaker in the whole county—is responsible for thirty-nine of them so far.

Now, Glory Bea wants a miracle of her own—her daddy’s return.

The war ended three years ago, but Glory Bea’s father never returned from the front in France. Though he was lost on Omaha Beach, deep down in her heart, she believes Daddy is still out there.

When reports that the Texas boxcar from the Merci Train (the “thank you” train)—a train filled with gifts of gratitude from the people of France—will be stopping in Gladiola, Glory Bea just knows daddy will be its surprise cargo.

But miracles, like people, are always changing, until at last they find their way home.




Monday, March 18, 2019

Middle Grade Ninja Episode 15: Author Kathi Appelt

To watch new episodes as they air, go to YouTube and subscribe.

Middle Grade Ninja is available on SoundcloudStitcheritunesPodbeanPodblasterRadioPublicblubrryListen NotesGoogle Play, and many other fine locations.

Kathi Appelt and I discuss her first young adult novel, ANGEL THIEVES, as well as her many wonderful picture books and middle grade novels. She reveals her writing and research process and is very candid about the highs and lows of her publishing career, from the runaway success of THE UNDERNEATH to the tale of the picture book that took 17 years to finally be published. We also discuss religion and politics and are generally impolite, as authors ought to be. We even say a naughty word apiece, so look forward to that and more in this amazing episode packed with outstanding advice for writers from a master of the craft.

Click here to see Kathi Appelt face the 7 Questions.








Kathi Appelt is the author of the Newbery Honoree, National Book Award finalist, PEN USA Literary Award-winning, and bestselling The Underneath as well as the National Book Award finalist The True Blue Scouts of Sugar Man Swamp, Keeper, and many picture books including Counting Crows. She has two grown children and lives in College Station, Texas, with her husband.

Here's something I wrote about Kathi in a previous blog post:  I met Kathi Appelt at a conference surrounded by writers who thought she walked on water (could be she does), and she made a point to seek me out over all those adoring fans and thank me for my review of The Underneath. She didn't have to do this, but it took all of a minute of her time to do it and it was a great thrill for me, not to mention a crucial instruction on how a great writer ought to behave that I'll never forget.

I've since bought other books by Kathi Appelt and I'm more likely to recommend her over other authors because she created a lifelong fan in a single gesture. I firmly believe that Kathi Appelt is more successful because she makes a habit of doing things like this and creating fans one at a time adds up over a writing career.




An ocelot. A slave. An angel thief.

Multiple perspectives spanning across time are united through themes of freedom, hope, and faith in a most unusual and epic novel from Newbery Honor–winning author and National Book Award finalist Kathi Appelt.

Sixteen-year-old Cade Curtis is an angel thief. After his mother’s family rejected him for being born out of wedlock, he and his dad moved to the apartment above a local antique shop. The only payment the owner Mrs. Walker requests: marble angels, stolen from graveyards, for her to sell for thousands of dollars to collectors. But there’s one angel that would be the last they’d ever need to steal; an angel, carved by a slave, with one hand open and one hand closed. If only Cade could find it…

Zorra, a young ocelot, watches the bayou rush past her yearningly. The poacher who captured and caged her has long since lost her, and Zorra is getting hungrier and thirstier by the day. Trapped, she only has the sounds of the bayou for comfort—but it tells her help will come soon.

Before Zorra, Achsah, a slave, watched the very same bayou with her two young daughters. After the death of her master, Achsah is free, but she’ll be damned if her daughters aren’t freed with her. All they need to do is find the church with an angel with one hand open and one hand closed…

In a masterful feat, National Book Award Honoree Kathi Appelt weaves together stories across time, connected by the bayou, an angel, and the universal desire to be free.



Monday, February 3, 2014

NINJA STUFF: An Appropriate Relationship Between Author and Blogger (Part One)

Greetings and salutations, Esteemed Reader. I hope this post finds you well. It's Writing Day, which is how it is I have time to both produce my daily word count for All Right Now (soon to be available) and write this post. The YA Cannibals are all here and for the first time, so is Little Ninja, which means my writing group may get to see me write with a baby in a pouch on my chest before the day is over and witness my full on Dad-ness:)

I stumbled into an online hornet's nest briefly over the weekend, which is good. It builds character:) It's important for me to remember that I'm an online figure (mostly anonymous though I may be) and the things I do online I do in full view of every Esteemed Reader I've ever had or ever will have. That is the reality of being a writer in our time. It's the reason the daring of some of our literature may dip a bitsome pretty wonderful things have been written by some pretty terrible peoplelooking at you, Hemmingway and Hubbardbut they didn't have to live in public. Today's authors do.

So I read a post by a fellow book blogger about reviews and an author's responsibility to the blogger writing the review. Specifically, her contention was that writers requesting a blogger take time out of their life to feature the author's book on the blogger's promotion platform should reciprocate by using their platform to promote the blog post. Knee jerk reaction: I agree.

Happy go lucky ninja that I am, I commented that it annoys me when authors invite me to dinner and don't pay for their meal, and it does. When Richard Adams was interviewed here, believe me, it was because I asked him:) It was extremely gracious of him to make time for this blog and a fanboy like me. He did not have to say yes. I had nothing to offer him. I cannot imagine his sales have been impacted by little old me, but Richard Adams is a class act and did the interview anyway. He owes me nothing. I owe him. The same is true for all the other authors I've invited to appear here.

The authors who've approached me and requested I review their book and interview them are in a somewhat different situation. I think offering to give me a review copy in exchange for a feature post at this blog is fair. I've been giving away copies of All Together Now to the bloggers kind enough to post about my book.

I flatter myself by thinking I'm an author bloggers don't regret agreeing to feature because I've been on their side of the transaction and I appreciate the effort and sacrifice that go into maintaining a blog. I'm one of eleventy billion indie authors flogging a book about zombies and the blogger has no way to know for sure that my book isn't terrible like so many others.

Giving them a free book is the least I can do and that free book should entitle me only to their consideration, not their guaranteed review, and certainly not their opinion being swayed one way or anotherthough of course it will be, because by the very act of "meeting" online, I've given them an impression of myself beyond what's available in my book.

No amount of courtesy on the author's part makes up for a terrible reading experience and the reviewer is well within their rights to declare my book awful despite my having been polite and given them a book or even an interview or guest post. It isn't rude or personal. A reviewer who promises their readers their honest opinion about a book should give it (that's not me), whether the author is a class act or a jerkface. If I met Roald Dahl, I might regret it, but The Witches would still be one of the greatest books I've ever read and my impression of his writing is probably aided by the fact that I didn't meet him.

I've given copies of my book to bloggers who to date have neither reviewed it nor so much as mentioned it to their readers. So long as the blogger looked at my book and gave it some consideration, we're square. I used to send books to agents in hopes of representation and it was the samea moment of their time to consider me is all I can reasonably request in exchange for providing the opportunity. Does this sort of suck for newbie writers? Yep. If you're not used to putting up with some things that suck, you haven't been writing long.

In the event that the blogger who's time I've imposed upon agrees to feature my book, I technically owe them nothing. I've never charged an author for an appearance here (nor will I ever) and I've never paid to have my book featured. A blog post is a mutually beneficial transaction. The blogger needs content. You can't run a book review blog with no books to review. The author needs for someone, anyone to please talk about their book. That these two parties have found each other is a beautiful thing and nobody owes anybody anything.

However, there is such a thing as courtesy and decorum. If someone in life does something nice for you, you do not have to say thank you. But odds of more nice things being done for you are greatly increased if you do. And if you do something nice for someone, it is perhaps understandable if you are miffed should they neglect to thank you. It doesn't change the nice thing you did and you probably didn't do it to be thanked, but the person would likely be closer to your heart if they showed a little gratitude.

So when a blogger features me, I tweet a link to their post, I share it on Facebook, and I link to it from here. I like their reviews on goodreads and when Amazon asks me if their review was helpful to me, I assure Amazon it absolutely was. Perhaps this makes me seem self absorbed, and I am, I am, but I also believe in saying thank you. I do that also, but by promoting their blog, presumably I make at least one or two people aware it exists.

I have a couple fans and if I can send both of them to that blog, thereby benefiting both me and the blogger kind enough to feature me, I say that's a good thing to have done. As of this writing, demands to review my book have tragically not overwhelmed me:) If I were a writer of Hugh Howey's prominence, I might feel differentlybut that guy somehow always finds time for his readers and smart writers will emulate the behavior of such a successful author.

I'm not angry at the authors who have had tons of twitter followers and FB friends, none of whom knew I reviewed their book because the author didn't tell them. It would've been nice if they had, but the authors, even the ones who requested my services, were not obligated to. I had the pleasure of reading a book, fresh content for this blog, and usually an interview with an interesting writer. Fair enough.

But I remember the authors who did show their gratitude for my time and am more likely to review their future works. I tell you this because this is a blog for writers and I want writers reading this to recognize this truth as I'm sure other bloggers feel similarly.

The vast majority of authors are wonderful people and if you read this blog, you know I love them. But there are some jerks out there and it's been my impression that the there's a direct correlation between being a jerk and being less successful as a writer.

I had an author beg me to consider their unknown indie book, then demand that I ask him different questions specific to his work than the questions I ask everyone. My response was to politely decline him, but my thought was that if those same 7 Questions were good enough for Richard Adams, you better believe they're good enough for an unknown indie author. When he came back months later with a new book, I declined him without even reading the book's description.

Conversely, the more successful the author, typically the nicer they are and the more I admire them. I met Kathi Appelt at a conference surrounded by writers who thought she walked on water (could be she does), and she made a point to seek me out over all those adoring fans and thank me for my review of The Underneath. She didn't have to do this, but it took all of a minute of her time to do it and it was a great thrill for me, not to mention a crucial instruction on how a great writer ought to behave that I'll never forget.

I've since bought other books by Kathi Appelt and I'm more likely to recommend her over other authors because she created a lifelong fan in a single gesture. I firmly believe that Kathi Appelt is more successful because she makes a habit of doing things like this and creating fans one at a time adds up over a writing career. If you're looking for a fan, you could do worse than a blogger who's interested in booksI'm halfway there already.

Likewise, Hugh Howey wrote me and congratulated me on publishing my first novel. Darby Karchut not only congratulated me, she read the book and reviewed it and now her blurb appears in the marketing. When I think of the sort of author I most want to be, I want to be this Hugh Howey/Darby Karchut/Kathi Appelt type. In the interest of time, we'll leave this point with those three examples, but know that most of the authors interviewed here have behaved admirably.

Other authors have argued with me about my review of their book, which is absurd, because I give every book here 5 stars. Some authors have become nasty when I told them I didn't want to review the sequel as I'd already promoted them once and there were other authors I wanted to feature instead. And some authors have sent me messages that can only be described as crazy pants. If they send me such messages before I write my review, I dump them, but crazy is sometimes hard to screen for.

Bloggers who deal with authors get to chat with some of the greatest people on earth, but they also encounter psychoswhich is true of anyone interacting with a wide range of writers. I'm so glad I blogged first before becoming an author as it's given me an appreciation for what bloggers do and too many writers take us for granted. If you want me to take time away from my family and my writing to read your book and promote you in the same space as the fantastic authors who've appeared here, that's not a service you should have to pay for in any way, but it's certainly not nothing and a bit of gratitude goes a long way.

So when I encountered a fellow blogger asking authors to be courteous to bloggers, I resoundingly agreed. We need authors, but authors need us, and as an author/blogger, I need everyone:) The trouble was I didn't consider the post as it was written carefully enough before I commented. This particular post outlined some required things an author should do in exchange for being featured, and that subject is a little murkier than the black and white argument that authors should appreciate bloggers (and vice versa).

Our old friend Mike Mullin corrected me on that score. I've talked a lot about author's behavior toward bloggers, so in the second part of this post I'm going to talk about blogger's behavior toward authors. So stay tuned author friends and blogger friends, during part two remember what an advocate I was for you in part one:)

See you tomorrow, same ninja time, same ninja channel.




Go to Part 2.

Thursday, February 10, 2011

7 Questions For: Author Kathi Appelt

Kathi Appelt, at the age of seven, stumbled and fell into an alligator pit in San Antonio, Texas, a place where there should be no alligators or alligator pits. Fortunately she was a lot bigger than the alligator, who was more scared of her than she was of it!

She is a member of the faculty at Vermont College's Master of Fine Arts program and occasionally teaches creative writing at Texas A and M University. She has two grown children, and lives in Texas with her husband and four cats. Her debut novel, The Underneath, was a National Book Award finalist and a Newbery Honor book. She is also the author of Keeper.

Click here to read my review of The Underneath.

And now Kathi Appelt faces The 7 Questions:


Question Seven: What are your top three favorite books?

a. “Black Beauty,” by Anna Sewell

b. “Sister Water,” by Nancy Willard

c. “Kitten’s First Full Moon,” by Kevin Henkes


Question Six: How much time do you spend each week writing? Reading?

It varies, but I’d say I spend at least a couple of hours a day writing, and just as much reading, probably more if you count the newspaper, Facebook, etc.


Question Five: What was the path that led you to publication?

I attended conferences, took classes, read every book I could get my hands on about publishing for children. Probably the best thing I did was join SCBWI. The Houston chapter, led by Mary Wade, was really important to me professionally.


Question Four: Do you believe writers are born, taught or both? Which was true for you?

Both and both. I come from a long line of storytellers, so it feels to me like storytelling is in my bones. In fact, my grandfather was a journalist, and even though he died way before I was born, I still think about that.

I do think that writing can be taught, just like any other skill. Some are more apt, but it’s certainly a skill that gets better with instruction and practice. If I didn’t believe that, I wouldn’t teach, nor would I take classes.

I’ve been the beneficiary of many wonderful teachers, and I credit them with any success that I’ve had.


Question Three: What is your favorite thing about writing? What is your least favorite thing?

I enjoy those moments when story comes together, when I can clearly see that the threads of my plot make sense. It’s those eureka moments that I live for.

Least favorite? The entire first draft.


Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)

Write like your fingers are on fire. By that, I mean write quickly enough that you get out of your own way, and at the same time, you get a lot of words on the page. Write so fast, in fact, that when you’re done, you have to blow on your fingers to cool them off.


Question One: If you could have lunch with any writer, living or dead, who would it be? Why?

Hmm…I’d love to have lunch with President Obama. I admire the fact that he’s written a very loving book for his daughters and for the rest of our children. I would like to welcome him to the community of children’s writers.



Tuesday, February 8, 2011

Book of the Week: THE UNDERNEATH by Kathi Appelt

Today we are discussing The Underneath, which is a wonderful novel I highly recommend to anyone at any age and which was nominated for both the Newberry and the National Book award. On Thursday, we’ll have its author, the also wonderful Kathi Appelt right here at this very blog to face the 7 Questions. You may recall she was author Linda Benson's one choice for a writer's lunch. And Saturday—my how our cup runneth over—we will have Marietta Zacker of the Nancy Gallt Literary Agency to face the 7 Questions for Literary Agents. What a glorious time it is to be a Middle Grade Ninja!

Whew. I’m all out of plugs, so let’s talk about The Underneath. It’s really, really good. You should read it if you haven’t already, and if you’re an aspiring writer studying the techniques of better writers to make yourself better ninja style, you definitely need to read this book. There are techniques employed in this novel I have not seen in another middle grade book and a story that’s not completely like anything else I've read. So much so, that I’m going to dispense with the review so we can get started on a discussion of craft: The Underneath is awesome. Read it. Review concluded.

The structure of The Underneath is one fairly common in adult novels, but rarely used in middle grade fiction. Instead of following one likable character on a quest from that character’s fixed perspective (90% or more of middle grade fiction), Appelt follows multiple characters, each with their own story and goal until their paths intersect. So who is the true protagonist of The Underneath? I think that’s up for debate.

The most likely candidate is Puck, a likable calico kitten (how could a calico kitten be unlikable. The story opens with Puck’s mother being ditched at the side of the road by thoughtless humans we, of course, hate. Puck’s mother, you’ll notice I’m not using her name—more on that in a minute, finds shelter in the underneath, which is actually a space underneath the house of a crazy hillbilly named Gar Face. Gar Face keeps Ranger, a hound dog with a heart of gold, chained in the yard, and Ranger and Puck’s mother become friends. Puck’s mother gives birth to Puck and his sister Sabine and the three cats and the dog form a family.

Most books would focus on the animals and their attempts to avoid the evil Gar Face and leave it at that. And why not? The kittens are cute and though they talk and have subtle human characteristics, they are like the rabbits in Richard Adam’s Watership Down, true to their animal nature. Their thoughts and actions are the thoughts and actions of animals as Appelt sees them rather than human characters in cute, fury form. Of course, we’ll have to find an actual talking cat that is also literate to find out how close Appelt is to describing life as a cat, but I’ll wager she’s pretty close:)

The Underneath spends some time with the cats and Ranger and Appelt builds our sympathy for them, but their time is shared equally with Gandma Mocassin (love the name), an ancient snake goddess who lives in the forest, and even Gar Face, whose back-story is told from his perspective with not a cute talking animal in sight. There’s also an alligator king and a hawk man and all sorts of other characters and through events in the story our happy family of cats and dog are split up and their stories are told from different perspectives. Therefore, in most cases each chapter is told from the perspective of a different character from the previous chapter and is part of its own seemingly unrelated story.

If you’ll humor me and imagine a protagonist and their plot as a spinning plate, most authors choose to spin only one or two plates and readers are impressed enough. Appelt is spinning plates on both hands, her feet, she’s got a pole on her nose and spinning a plate at the end of it, and she’s maybe got a plate on each shoulder. I’m trusting you've seen performers do this and are following the metaphor. As in such a performance, the trick is to keep all those plates spinning and the excitement for the viewer is in knowing that if Appelt makes one misstep or loses her balance, one if not all of those spinning plates can come crashing down. It’s something to see, Esteemed Reader, and the reason why if you write for children, you need to read this book and see it done.

It takes a masterful writer to pull this off and there are broken shards throughout the literary world from writers who have tried and lost their balance. If done correctly by a writer like Appelt, the result is a layered and complex story told from multiple viewpoints and sharing the perspective of most if not all of the characters with the reader. If done incorrectly, the result could be that the reader enjoys one strand of the story, but is disappointed when the book cuts away to another character the reader doesn't like and only suffers through to get back to the story he/she is enjoying. If there are more chapters about the character the reader doesn't like than the one the reader does like, he or she may put the book down.

It’s a risky business and the key for success is that the reader must be involved in all of the stories and be invested in all of the characters. It’s hard enough to get readers invested in one protagonist and one story! Also, I have length issues sometimes with a simple one-character-one-plot structure. The Ninja has tried this spinning-plate type of novel only once and the result was an 800-plus page manuscript that caused an actual literary agent (not one of the wonderful agents who have appeared here) to actually laugh in my face when I inquired about representation for it. Represent it? She wouldn't even read it. Sigh. Which is to say that the Ninja likely fell on his butt and busted all of his plates—but I got back up, and wrote another shorter manuscript with only one plate, so don’t you worry about me.

It helps that Appelt’s chapters are short. Her prose is quick and at times reminded me just a little of Ernest Hemingway  You won’t find a lot of frilly description in Appelt’s prose, which is not to imply simplicity, only pace. Here's a fun example:

BUT BEFORE PUCK and Sabine could be clever and brave, they had to be… kittens! Here was Sabine, hiding behind the old wooden fishing traps, the same gray color as her coat.
Then…
Quiet. Oh so quiet.
Sabine made herself small. Oh so small. As small as a mouse. As small as a cricket. As small as a flea.
She crouched down low. Oh so low.
Her paws tingled. Her ears twitched. Her tail switched.
Patient. Oh so patient… until… Puck…
Unaware. Oh so unaware.
And…
Attack!!!

Most chapters in The Underneath are one to four pages long, which is a good idea in most any middle grade fiction book. But it’s an especially good idea if you’re going to be brave like Appelt and tackle a story from multiple perspectives. I could spend time talking also about how much I love Appelt’s use of white space  Short sentences, paragraphs, and chapters are read fast. Reading fast builds a sense of accomplishment in a reader and as the pages turn they soon find themselves far enough in that they may as well finish, even in the case of a book not as well written as Appelt’s.

I could talk about those things, but I've talked about them in other reviews and I see we are running long because I plugged my wife’s writing and I have passages to share and something else I want to discuss. You know how much I obsess over the first sentence in a book because I know it’s a sentence that got an agent, an editor, a reader, and ultimately a Ninja to read on. Here is the first sentence from The Underneath:

THERE IS NOTHING lonelier than a cat who has been loved, at least for a while, and then abandoned on the side of the road.

It would take a reader with the heart of Gar Face not to feel sympathy at once and not to read the sentence that follows. But the thing is that cat is Puck’s mother and she doesn't have a name (I told you I’d get back to it). Ranger, Puck, Sabine, and even Gar Face all have names, but the mother of the kittens, one fourth of the family living in The Underneath, does not. She is only ever referred to as the calico cat, which is why—minor spoiler from here on out—I knew she was toast from about the third chapter.

I won’t tell you how she dies, but her death comes at about 70 pages in and sets a major piece of the plot in motion. I have been thinking about Appelt’s choice not to name the cat that dies since I read The UnderneathI've been turning it over in my head. The impact of not naming the cat is that she is less of a character in the story and when she dies the reader’s empathy is not with her but with her children, who are main characters and whom we will be following to the end. Our sorrow comes from the kittens we know and love being left alone rather than the horrible, but heroic death of a character we love because Appelt intentionally keeps us at a distance from her. This is a conscious choice and it has a calculated impact.

It’s the right choice for this book and yet I wonder. Why not name the cat? Why not make her a character the reader also likes and feels empathy for. Then the reader will be truly shocked at her death instead of anticipating it and might cry for her as well as for her kittens. The Ninja loves to try to make readers cry and I totally would have hammed up Momma cat’s death for some easy tears. I might even have had her whisper “Earn this,” Saving Private Ryan style because I love cheese.

Of course the reader would be disoriented and perhaps even irritated by the death of a beloved character so early in the story. Parents might stop reading the book to their kids right there and even if they didn’t, their focus would be on poor Momma Cat rather than her kittens, which is where it needs to be. At the end of the day, Momma Cat's death is a plot device for other characters and is best written as it is. Choices like this are why Appelt was honored by The Newberry and The National Book Award and the Ninja runs a blog:) Still, it’s fun to pick at choices like this in a book and consider the alternative. No doubt Appelt did and by working backwards we can deduce her reasoning, which is why I study these books in the first place(that and I love good stories).

That’s going to do it for this week, Esteemed Reader. Make sure to come back by on Thursday to see Kathi Appelt face the 7 Questions and on Saturday when we’ll be visited by literary agent Marietta Zacker. It’s good to be back, Esteemed Reader, and join me in the coming weeks as we are going to be discussing some wonderful books and meeting some wonderful writers, and God willing, agents. But for now, as is my custom, I’ll leave you with some of my favorite passages from The Underneath:

She had never heard a song like it, all blue in its shape, blue and tender, slipping through the branches, gliding on the morning air. She felt the ache of it.


Scavengers; once he caught one in a crab trap and kept it there, hidden, watched it slowly die from hunger and thirst. Watched it while it twisted against the wooden slats of the trap, desperate in its hunger, fierce in its desperation.


Puck was paws down better than Possum. (it annoys me when writers use hands down when writing from an animal’s perspective and Appelt knows better—MGN)


Maybe this house sat for too long before Gar Face moved in. But if you looked at it from just a few feet away, if you could get close enough without Gar Face aiming his rifle at you and snarling like a wolf, you would swear that it was sinking into the ground of its own accord, as if the only way to escape from its terrible inhabitant was to disappear into the earth.




STANDARD DISCLAIMER: Book of the Week is simply the best book I happened to read in a given week. There are likely other books as good or better that I just didn’t happen to read that week. Also, all reviews here will be written to highlight a book’s positive qualities. It is my policy that if I don’t have something nice to say online, I won’t say anything at all (usually). I’ll leave you to discover the negative qualities of each week’s book on your own.